'Tis Pity She's a Whore

Fiction & Literature, Drama, Nonfiction, Entertainment
Cover of the book 'Tis Pity She's a Whore by John Ford, Martin Wiggins, Bloomsbury Publishing
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Author: John Ford, Martin Wiggins ISBN: 9781408144329
Publisher: Bloomsbury Publishing Publication: May 29, 2014
Imprint: Methuen Drama Language: English
Author: John Ford, Martin Wiggins
ISBN: 9781408144329
Publisher: Bloomsbury Publishing
Publication: May 29, 2014
Imprint: Methuen Drama
Language: English

Like Shakespeare's Juliet, Annabella, accompanied by her down-to-earth
nurse, is introduced to a series of suitors to her hand. Like Juliet,
she finds all of them unsatisfactory - and rightly so, for the audience
know that the nastiest of them is having an affair with her domineering
aunt. Like Juliet, Annabella is wooed by a sensitive and passionate
young man whose love she returns - but this young man happens to be her
own brother, Giovanni. When they consummate their love and she, to
avoid the scandal of extramarital pregnancy, agrees to marry her aunt's
lover, the tragic outcome is inevitable. John Ford, writing his
psychologically powerful and intellectually challenging tragedies in
the early years of King Charles I's reign, is a playwright of the first
rank, as 20th-century directors have shown both in the theatre and on
film.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Like Shakespeare's Juliet, Annabella, accompanied by her down-to-earth
nurse, is introduced to a series of suitors to her hand. Like Juliet,
she finds all of them unsatisfactory - and rightly so, for the audience
know that the nastiest of them is having an affair with her domineering
aunt. Like Juliet, Annabella is wooed by a sensitive and passionate
young man whose love she returns - but this young man happens to be her
own brother, Giovanni. When they consummate their love and she, to
avoid the scandal of extramarital pregnancy, agrees to marry her aunt's
lover, the tragic outcome is inevitable. John Ford, writing his
psychologically powerful and intellectually challenging tragedies in
the early years of King Charles I's reign, is a playwright of the first
rank, as 20th-century directors have shown both in the theatre and on
film.

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