A Book of Autographs

Fiction & Literature, Psychological, Classics, Literary
Cover of the book A Book of Autographs by Nathaniel Hawthorne, GOLDEN CLASSIC PRESS
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Author: Nathaniel Hawthorne ISBN: 1230002907611
Publisher: GOLDEN CLASSIC PRESS Publication: November 23, 2018
Imprint: Language: English
Author: Nathaniel Hawthorne
ISBN: 1230002907611
Publisher: GOLDEN CLASSIC PRESS
Publication: November 23, 2018
Imprint:
Language: English

*** Original and Unabridged Content. Made available by GOLDEN CLASSIC PRESS***

Synopsis:
We have before us a volume of autograph letters, chiefly of soldiers and
statesmen of the Revolution, and addressed to a good and brave man,
General Palmer, who himself drew his sword in the cause. They are
profitable reading in a quiet afternoon, and in a mood withdrawn from
too intimate relation with the present time; so that we can glide
backward some three quarters of a century, and surround ourselves with
the ominous sublimity of circumstances that then frowned upon the
writers. To give them their full effect, we should imagine that these
letters have this moment been brought to town by the splashed and way-
worn postrider, or perhaps by an orderly dragoon, who has ridden in a
perilous hurry to deliver his despatches. They are magic scrolls, if
read in the right spirit. The roll of the drum and the fanfare of the
trumpet is latent in some of them; and in others, an echo of the oratory
that resounded in the old halls of the Continental Congress, at
Philadelphia; or the words may come to us as with the living utterance
of one of those illustrious men, speaking face to face, in friendly
communion. Strange, that the mere identity of paper and ink should be
so powerful. The same thoughts might look cold and ineffectual, in a
printed book. Human nature craves a certain materialism and clings
pertinaciously to what is tangible, as if that were of more importance
than the spirit accidentally involved in it. And, in truth, the
original manuscript has always something which print itself must
inevitably lose. An erasure, even a blot, a casual irregularity of
hand, and all such little imperfections of mechanical execution, bring
us close to the writer, and perhaps convey some of those subtle
intimations for which language has no shape.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

*** Original and Unabridged Content. Made available by GOLDEN CLASSIC PRESS***

Synopsis:
We have before us a volume of autograph letters, chiefly of soldiers and
statesmen of the Revolution, and addressed to a good and brave man,
General Palmer, who himself drew his sword in the cause. They are
profitable reading in a quiet afternoon, and in a mood withdrawn from
too intimate relation with the present time; so that we can glide
backward some three quarters of a century, and surround ourselves with
the ominous sublimity of circumstances that then frowned upon the
writers. To give them their full effect, we should imagine that these
letters have this moment been brought to town by the splashed and way-
worn postrider, or perhaps by an orderly dragoon, who has ridden in a
perilous hurry to deliver his despatches. They are magic scrolls, if
read in the right spirit. The roll of the drum and the fanfare of the
trumpet is latent in some of them; and in others, an echo of the oratory
that resounded in the old halls of the Continental Congress, at
Philadelphia; or the words may come to us as with the living utterance
of one of those illustrious men, speaking face to face, in friendly
communion. Strange, that the mere identity of paper and ink should be
so powerful. The same thoughts might look cold and ineffectual, in a
printed book. Human nature craves a certain materialism and clings
pertinaciously to what is tangible, as if that were of more importance
than the spirit accidentally involved in it. And, in truth, the
original manuscript has always something which print itself must
inevitably lose. An erasure, even a blot, a casual irregularity of
hand, and all such little imperfections of mechanical execution, bring
us close to the writer, and perhaps convey some of those subtle
intimations for which language has no shape.

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