A New Middle Kingdom

Painting and Cultural Politics in Late Chosŏn Korea (1700–1850)

Nonfiction, Art & Architecture, Art History, Asian, General Art, History, Korea
Cover of the book A New Middle Kingdom by J. P. Park, University of Washington Press
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Author: J. P. Park ISBN: 9780295743264
Publisher: University of Washington Press Publication: September 26, 2018
Imprint: University of Washington Press Language: English
Author: J. P. Park
ISBN: 9780295743264
Publisher: University of Washington Press
Publication: September 26, 2018
Imprint: University of Washington Press
Language: English

Historians have claimed that when social stability returned to Korea after a series of devastating invasions by the Japanese and Manchus around the turn of the seventeenth century, the late Chos n dynasty was a period of unprecedented economic and cultural renaissance. This book questions this age-old belief by claiming that true-view landscape and genre�paintings were most likely�adopted to propagandize�social harmony under Chos n rule and to justify the status, wealth,�and land grabs of the ruling class.�This volume also documents the popularity and misunderstanding of art books from China and, most controversially, Korean enthusiasm for artistic programs from Edo Japan, thus challenging academic stereotypes and nationalistic tendencies in scholarship. As the first truly interdisciplinary study of Korean art, A New Middle Kingdom illuminates the reality of the late Chos n society that its visual art attempted hide.

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Historians have claimed that when social stability returned to Korea after a series of devastating invasions by the Japanese and Manchus around the turn of the seventeenth century, the late Chos n dynasty was a period of unprecedented economic and cultural renaissance. This book questions this age-old belief by claiming that true-view landscape and genre�paintings were most likely�adopted to propagandize�social harmony under Chos n rule and to justify the status, wealth,�and land grabs of the ruling class.�This volume also documents the popularity and misunderstanding of art books from China and, most controversially, Korean enthusiasm for artistic programs from Edo Japan, thus challenging academic stereotypes and nationalistic tendencies in scholarship. As the first truly interdisciplinary study of Korean art, A New Middle Kingdom illuminates the reality of the late Chos n society that its visual art attempted hide.

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