A Rocket in My Pocket: The Hipster's Guide to Rockabilly Music

The Hipster's Guide to Rockabilly Music

Nonfiction, Entertainment, Music, Pop & Rock, Popular, Music Styles
Cover of the book A Rocket in My Pocket: The Hipster's Guide to Rockabilly Music by Max Décharné, Profile
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Max Décharné ISBN: 9781847652416
Publisher: Profile Publication: December 9, 2010
Imprint: Serpent's Tail Language: English
Author: Max Décharné
ISBN: 9781847652416
Publisher: Profile
Publication: December 9, 2010
Imprint: Serpent's Tail
Language: English

Rockabilly had its roots in country, blues, folk, hillbilly, R&B, boogie-woogie and most other indigenous Deep South forms of popular song that you could strum three chords along to or howl down a cheap microphone. It was young people's music, made almost entirely by the first wave of teenagers, despised by adults in general and the country music establishment in particular. Its pioneer exponent, Elvis, eventually become respectable in the eyes of straight society but he was the exception. 1950s rockabilly was a spontaneous outburst of spirited three-chord songs, tiny record labels, primitive studios, fiercely partisan audiences and wild-eyed, driven performers who weren't even sure that their musical careers would last the week. The book charts the rise (and fall) of the original 50s wave of rockabillies. It will also follow the progress of the music, in clubs, on radio, TV and film, pinpointing the key record labels and important regional centres, showing how fashions eventually changed and left rockabilly high and dry, far too wild and primitive in an era of smoother sounds. D?charn? traces the music to its Memphis roots.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Rockabilly had its roots in country, blues, folk, hillbilly, R&B, boogie-woogie and most other indigenous Deep South forms of popular song that you could strum three chords along to or howl down a cheap microphone. It was young people's music, made almost entirely by the first wave of teenagers, despised by adults in general and the country music establishment in particular. Its pioneer exponent, Elvis, eventually become respectable in the eyes of straight society but he was the exception. 1950s rockabilly was a spontaneous outburst of spirited three-chord songs, tiny record labels, primitive studios, fiercely partisan audiences and wild-eyed, driven performers who weren't even sure that their musical careers would last the week. The book charts the rise (and fall) of the original 50s wave of rockabillies. It will also follow the progress of the music, in clubs, on radio, TV and film, pinpointing the key record labels and important regional centres, showing how fashions eventually changed and left rockabilly high and dry, far too wild and primitive in an era of smoother sounds. D?charn? traces the music to its Memphis roots.

More books from Profile

Cover of the book The Hay Diet Made Easy by Max Décharné
Cover of the book Night Trains by Max Décharné
Cover of the book Why Does My Parrot...? by Max Décharné
Cover of the book The Art of Understanding Art by Max Décharné
Cover of the book The Lost Gods by Max Décharné
Cover of the book Future Agenda by Max Décharné
Cover of the book The Tao of Motivation by Max Décharné
Cover of the book Lessons from the Top by Max Décharné
Cover of the book Swiss Made by Max Décharné
Cover of the book Mastering Coaching by Max Décharné
Cover of the book Turned Out Nice Again by Max Décharné
Cover of the book Populism and Economics by Max Décharné
Cover of the book In The Seventies by Max Décharné
Cover of the book State Building by Max Décharné
Cover of the book Change the Story of Your Health by Max Décharné
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy