A Ted Hughes Bestiary

Poems

Fiction & Literature, Poetry, British & Irish
Cover of the book A Ted Hughes Bestiary by Ted Hughes, Farrar, Straus and Giroux
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Author: Ted Hughes ISBN: 9780374715434
Publisher: Farrar, Straus and Giroux Publication: July 12, 2016
Imprint: Farrar, Straus and Giroux Language: English
Author: Ted Hughes
ISBN: 9780374715434
Publisher: Farrar, Straus and Giroux
Publication: July 12, 2016
Imprint: Farrar, Straus and Giroux
Language: English

“Ted Hughes was a great man and a great poet because of his wholeness and his simplicity and his unfaltering truth to his own sense of the world.” —Seamus Heaney

Originally, the medieval bestiary, or book of animals, set out to establish safe distinctions—between them and us—but Ted Hughes’s poetry works always in a contrary direction: showing what man and beast have in common, the reservoir from which we all draw. In A Ted Hughes Bestiary, Alice Oswald’s selection is arranged chronologically, with an eye to different books and styles, but equally to those poems that embody animals rather than just describe them. Some poems are here because, although not strictly speaking animal, they become so in the process of writing; and in keeping with the bestiary tradition there are plenty of imaginary animals—all concentratedly going about their business.

In Poetry in the Making, Hughes said that he thought of his poems as animals, meaning that he wanted them to have “a vivid life of their own.” Distilled and self-defining, A Ted Hughes Bestiary is subtly responsive to a central aspect of Hughes’s achievement, while offering room to overlooked poems, and “to those that have the wildest tunes.”

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

“Ted Hughes was a great man and a great poet because of his wholeness and his simplicity and his unfaltering truth to his own sense of the world.” —Seamus Heaney

Originally, the medieval bestiary, or book of animals, set out to establish safe distinctions—between them and us—but Ted Hughes’s poetry works always in a contrary direction: showing what man and beast have in common, the reservoir from which we all draw. In A Ted Hughes Bestiary, Alice Oswald’s selection is arranged chronologically, with an eye to different books and styles, but equally to those poems that embody animals rather than just describe them. Some poems are here because, although not strictly speaking animal, they become so in the process of writing; and in keeping with the bestiary tradition there are plenty of imaginary animals—all concentratedly going about their business.

In Poetry in the Making, Hughes said that he thought of his poems as animals, meaning that he wanted them to have “a vivid life of their own.” Distilled and self-defining, A Ted Hughes Bestiary is subtly responsive to a central aspect of Hughes’s achievement, while offering room to overlooked poems, and “to those that have the wildest tunes.”

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