Abject Performances

Aesthetic Strategies in Latino Cultural Production

Nonfiction, Art & Architecture, General Art, Criticism, Social & Cultural Studies, Social Science, Cultural Studies, Ethnic Studies, Gender Studies
Cover of the book Abject Performances by Leticia Alvarado, Duke University Press
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Author: Leticia Alvarado ISBN: 9780822371939
Publisher: Duke University Press Publication: April 19, 2018
Imprint: Duke University Press Books Language: English
Author: Leticia Alvarado
ISBN: 9780822371939
Publisher: Duke University Press
Publication: April 19, 2018
Imprint: Duke University Press Books
Language: English

In Abject Performances Leticia Alvarado draws out the irreverent, disruptive aesthetic strategies used by Latino artists and cultural producers who shun standards of respectability that are typically used to conjure concrete minority identities. In place of works imbued with pride, redemption, or celebration, artists such as Ana Mendieta, Nao Bustamante, and the Chicano art collective known as Asco employ negative affects—shame, disgust, and unbelonging—to capture experiences that lie at the edge of the mainstream, inspirational Latino-centered social justice struggles. Drawing from a diverse expressive archive that ranges from performance art to performative testimonies of personal faith-based subjection, Alvarado illuminates modes of community formation and social critique defined by a refusal of identitarian coherence that nonetheless coalesce into Latino affiliation and possibility.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In Abject Performances Leticia Alvarado draws out the irreverent, disruptive aesthetic strategies used by Latino artists and cultural producers who shun standards of respectability that are typically used to conjure concrete minority identities. In place of works imbued with pride, redemption, or celebration, artists such as Ana Mendieta, Nao Bustamante, and the Chicano art collective known as Asco employ negative affects—shame, disgust, and unbelonging—to capture experiences that lie at the edge of the mainstream, inspirational Latino-centered social justice struggles. Drawing from a diverse expressive archive that ranges from performance art to performative testimonies of personal faith-based subjection, Alvarado illuminates modes of community formation and social critique defined by a refusal of identitarian coherence that nonetheless coalesce into Latino affiliation and possibility.

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