Acts of Activism

Human Rights as Radical Performance

Fiction & Literature, Drama, Nonfiction, Entertainment, Performing Arts
Cover of the book Acts of Activism by D. Soyini Madison, Cambridge University Press
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Author: D. Soyini Madison ISBN: 9780511739545
Publisher: Cambridge University Press Publication: January 14, 2010
Imprint: Cambridge University Press Language: English
Author: D. Soyini Madison
ISBN: 9780511739545
Publisher: Cambridge University Press
Publication: January 14, 2010
Imprint: Cambridge University Press
Language: English

This book was first published in 2010. Madison presents the neglected yet compelling and necessary story of local activists in South Saharan Africa who employ modes of performance as tactics of resistance and intervention in their day-to-day struggles for human rights. The dynamic relationship between performance and activism are illustrated in three case studies: Act One presents a battle between tradition and modernity as the bodies of African women are caught in the cross-fire. Act Two focuses on 'water democracy' as activists fight for safe, accessible public water as a human right. Act Three examines the efficacy of street performance and theatre for development in the oral histories of Ghanaian gender activists. Unique to this book is the continuing juxtaposition between the everyday performances of local activism and their staged enactments before theatre audiences in Ghana and the USA. Madison beautifully demonstrates how these disparate sites of performance cohere in the service of rights, justice, and activism.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book was first published in 2010. Madison presents the neglected yet compelling and necessary story of local activists in South Saharan Africa who employ modes of performance as tactics of resistance and intervention in their day-to-day struggles for human rights. The dynamic relationship between performance and activism are illustrated in three case studies: Act One presents a battle between tradition and modernity as the bodies of African women are caught in the cross-fire. Act Two focuses on 'water democracy' as activists fight for safe, accessible public water as a human right. Act Three examines the efficacy of street performance and theatre for development in the oral histories of Ghanaian gender activists. Unique to this book is the continuing juxtaposition between the everyday performances of local activism and their staged enactments before theatre audiences in Ghana and the USA. Madison beautifully demonstrates how these disparate sites of performance cohere in the service of rights, justice, and activism.

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