Adam Johnstone's Son

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Adam Johnstone's Son by Francis Marion Crawford, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Francis Marion Crawford ISBN: 9781465504111
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Francis Marion Crawford
ISBN: 9781465504111
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

“I sometimes think that one’s past life is written in a foreign language,” said Mrs. Bowring, shutting the book she held, but keeping the place with one smooth, thin forefinger, while her still, blue eyes turned from her daughter’s face towards the hazy hills that hemmed the sea thirty miles to the southward. “When one wants to read it, one finds ever so many words which one cannot understand, and one has to look them out in a sort of unfamiliar dictionary, and try to make sense of the sentences as best one can. Only the big things are clear.” Clare glanced at her mother, smiling innocently and half mechanically, without much definite expression, and quite without curiosity. Youth can be in sympathy with age, while not understanding it, while not suspecting, perhaps, that there is anything to understand beyond the streaked hair and the pale glance and the little torture-lines which paint the portrait of fifty years for the eyes of twenty. Every woman knows the calendar of her own face. The lines are years, one for such and such a year, one for such and such another; the streaks are months, perhaps, or weeks, or sometimes hours, where the tear-storms have bleached the brown, the black, or the gold. “This little wrinkle—it was so very little then!” she says. “It came when I doubted for a day. There is a shadow there, just at each temple, where the cloud passed, when my sun went out. The bright hair grew lower on my forehead. It is worn away, as though by a crown, that was not of gold. There are hollows there, near the ears, on each side, since that week when love was done to death before my eyes and died—intestate—leaving his substance to be divided amongst indifferent heirs. They wrangle for what he has left, but he himself is gone, beyond hearing or caring, and, thank God, beyond suffering. But the marks are left.” Youth looks on and sees alike the ill-healed wounds of the martyrdom and the rough scars of sin’s scourges, and does not understand. Clare Bowring smiled, without definite expression, just because her mother had spoken and seemed to ask for sympathy; and then she looked away for a few moments. She had a bit of work in her hands, a little bag which she was making out of a piece of old Italian damask, to hold a needle-case and thread and scissors. She had stopped sewing, and instinctively waited before beginning again, as though to acknowledge by a little affectionate deference that her mother had said something serious and had a right to expect attention. But she did not answer, for she could not understand.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

“I sometimes think that one’s past life is written in a foreign language,” said Mrs. Bowring, shutting the book she held, but keeping the place with one smooth, thin forefinger, while her still, blue eyes turned from her daughter’s face towards the hazy hills that hemmed the sea thirty miles to the southward. “When one wants to read it, one finds ever so many words which one cannot understand, and one has to look them out in a sort of unfamiliar dictionary, and try to make sense of the sentences as best one can. Only the big things are clear.” Clare glanced at her mother, smiling innocently and half mechanically, without much definite expression, and quite without curiosity. Youth can be in sympathy with age, while not understanding it, while not suspecting, perhaps, that there is anything to understand beyond the streaked hair and the pale glance and the little torture-lines which paint the portrait of fifty years for the eyes of twenty. Every woman knows the calendar of her own face. The lines are years, one for such and such a year, one for such and such another; the streaks are months, perhaps, or weeks, or sometimes hours, where the tear-storms have bleached the brown, the black, or the gold. “This little wrinkle—it was so very little then!” she says. “It came when I doubted for a day. There is a shadow there, just at each temple, where the cloud passed, when my sun went out. The bright hair grew lower on my forehead. It is worn away, as though by a crown, that was not of gold. There are hollows there, near the ears, on each side, since that week when love was done to death before my eyes and died—intestate—leaving his substance to be divided amongst indifferent heirs. They wrangle for what he has left, but he himself is gone, beyond hearing or caring, and, thank God, beyond suffering. But the marks are left.” Youth looks on and sees alike the ill-healed wounds of the martyrdom and the rough scars of sin’s scourges, and does not understand. Clare Bowring smiled, without definite expression, just because her mother had spoken and seemed to ask for sympathy; and then she looked away for a few moments. She had a bit of work in her hands, a little bag which she was making out of a piece of old Italian damask, to hold a needle-case and thread and scissors. She had stopped sewing, and instinctively waited before beginning again, as though to acknowledge by a little affectionate deference that her mother had said something serious and had a right to expect attention. But she did not answer, for she could not understand.

More books from Library of Alexandria

Cover of the book Hinduism and Buddhism: An Historical Sketch (Complete) by Francis Marion Crawford
Cover of the book The Venetian School of Painting by Francis Marion Crawford
Cover of the book Miscellany of Poetry 1919 by Francis Marion Crawford
Cover of the book Smaïn and Safti's Summer Day by Francis Marion Crawford
Cover of the book Alcohol: A Dangerous and Unnecessary Medicine, How and Why, What Medical Writers Say by Francis Marion Crawford
Cover of the book Elements of Surgery by Francis Marion Crawford
Cover of the book El Diablo Cojuelo by Francis Marion Crawford
Cover of the book [19th Century Actor] Autobiographies by Francis Marion Crawford
Cover of the book Tales of Troy: Ulysses, the Sacker of Cities by Francis Marion Crawford
Cover of the book Over There with the Australians by Francis Marion Crawford
Cover of the book Altruism: Its Nature and Varieties by Francis Marion Crawford
Cover of the book Lélia by Francis Marion Crawford
Cover of the book How a Farthing Made a Fortune or 'Honesty is the Best Policy' by Francis Marion Crawford
Cover of the book In the Land of Cave and Cliff Dwellers by Francis Marion Crawford
Cover of the book Afghanistan and the Anglo-Russian Dispute by Francis Marion Crawford
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy