Adapturgy

The Dramaturg's Art and Theatrical Adaptation

Nonfiction, Entertainment, Theatre, Performing Arts
Cover of the book Adapturgy by Jane Barnette, Southern Illinois University Press
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Author: Jane Barnette ISBN: 9780809336289
Publisher: Southern Illinois University Press Publication: November 22, 2017
Imprint: Southern Illinois University Press Language: English
Author: Jane Barnette
ISBN: 9780809336289
Publisher: Southern Illinois University Press
Publication: November 22, 2017
Imprint: Southern Illinois University Press
Language: English

Dramaturg Jane Barnette has put together an essential guide for theatre scholars and practitioners seeking to understand and participate in the process of adaptation for the stage. Employing the term “adapturgy”—her neologism for the art of adaptation dramaturgy—Barnette redefines the dramaturg’s role and thoroughly refutes the commonplace point of view that adapted works are somehow less creative than “original” plays.
 
The dual nature of dramaturgy and adaptation as both process and product is reflected in the structure and organization of the book. Part 1 explores the ways that linking adaptation to dramaturgy advances our understanding of both practices. Part 2 demonstrates three different methods—each grounded in a detailed case study—for analyzing theatrical adaptations. Part 3 offers concrete strategies for the dramaturg: dramaturgy for the adapted script; the production dramaturgy of stage adaptations; and the role of the dramaturg in the postmortem for a production. Rounding out the book are two appendixes containing interviews with adapters and theatre-makers and representative program notes from different play adaptations.
 
Plays adapted from literature and other media represent a rapidly growing part of the theatre. This book offers both practical and theoretical tools for understanding and creating these new works. 
 

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Dramaturg Jane Barnette has put together an essential guide for theatre scholars and practitioners seeking to understand and participate in the process of adaptation for the stage. Employing the term “adapturgy”—her neologism for the art of adaptation dramaturgy—Barnette redefines the dramaturg’s role and thoroughly refutes the commonplace point of view that adapted works are somehow less creative than “original” plays.
 
The dual nature of dramaturgy and adaptation as both process and product is reflected in the structure and organization of the book. Part 1 explores the ways that linking adaptation to dramaturgy advances our understanding of both practices. Part 2 demonstrates three different methods—each grounded in a detailed case study—for analyzing theatrical adaptations. Part 3 offers concrete strategies for the dramaturg: dramaturgy for the adapted script; the production dramaturgy of stage adaptations; and the role of the dramaturg in the postmortem for a production. Rounding out the book are two appendixes containing interviews with adapters and theatre-makers and representative program notes from different play adaptations.
 
Plays adapted from literature and other media represent a rapidly growing part of the theatre. This book offers both practical and theoretical tools for understanding and creating these new works. 
 

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