Adjusting the Lens

Community and Collaborative Video in Mexico

Nonfiction, Entertainment, Film, History & Criticism, Social & Cultural Studies, Social Science, Cultural Studies, Ethnic Studies
Cover of the book Adjusting the Lens by , University of Pittsburgh Press
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Author: ISBN: 9780822982425
Publisher: University of Pittsburgh Press Publication: September 8, 2017
Imprint: University of Pittsburgh Press Language: English
Author:
ISBN: 9780822982425
Publisher: University of Pittsburgh Press
Publication: September 8, 2017
Imprint: University of Pittsburgh Press
Language: English

Adjusting the Lens offers a detailed analysis of contemporary, independent, indigenous-language audiovisual production in Mexico and in Mexican migrant communities in the United States. The contributors relate the styles and forms of collaborative and community media production to socially critical, transformative, resistant, and constitutive processes off-screen, thereby exploring the political within the context of the media. The chapters show how diasporic media makers map novel interpretations of image and sound into existing audiovisual discourses to communicate social and cultural changes within their communities that counter stereotypical representations in commercial television and cinema, and contribute to a newfound communal identity. The new media expose the conflict of social movements and/or indigenous and rural communities with the state, challenge Eurocentrism and globalization, and reveal the power of audiovisual production to affect political change.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Adjusting the Lens offers a detailed analysis of contemporary, independent, indigenous-language audiovisual production in Mexico and in Mexican migrant communities in the United States. The contributors relate the styles and forms of collaborative and community media production to socially critical, transformative, resistant, and constitutive processes off-screen, thereby exploring the political within the context of the media. The chapters show how diasporic media makers map novel interpretations of image and sound into existing audiovisual discourses to communicate social and cultural changes within their communities that counter stereotypical representations in commercial television and cinema, and contribute to a newfound communal identity. The new media expose the conflict of social movements and/or indigenous and rural communities with the state, challenge Eurocentrism and globalization, and reveal the power of audiovisual production to affect political change.

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