Aesthetics Equals Politics

New Discourses across Art, Architecture, and Philosophy

Nonfiction, Religion & Spirituality, Philosophy, Aesthetics, Art & Architecture, Art History, Architecture
Cover of the book Aesthetics Equals Politics by , The MIT Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780262351461
Publisher: The MIT Press Publication: March 22, 2019
Imprint: The MIT Press Language: English
Author:
ISBN: 9780262351461
Publisher: The MIT Press
Publication: March 22, 2019
Imprint: The MIT Press
Language: English

How aesthetics—understood as a more encompassing framework for human activity—might become the primary discourse for political and social engagement.

These essays make the case for a reignited understanding of aesthetics—one that casts aesthetics not as illusory, subjective, or superficial, but as a more encompassing framework for human activity. Such an aesthetics, the contributors suggest, could become the primary discourse for political and social engagement. Departing from the “critical” stance of twentieth-century artists and theorists who embraced a counter-aesthetic framework for political engagement, this book documents how a broader understanding of aesthetics can offer insights into our relationships not only with objects, spaces, environments, and ecologies, but also with each other and the political structures in which we are all enmeshed.

The contributors—philosophers, media theorists, artists, curators, writers and architects including such notable figures as Jacques Rancière, Graham Harman, and Elaine Scarry—build a compelling framework for a new aesthetic discourse. The book opens with a conversation in which Rancière tells the volume's editor, Mark Foster Gage, that the aesthetic is “about the experience of a common world.” The essays following discuss such topics as the perception of reality; abstraction in ethics, epistemology, and aesthetics as the “first philosophy”; Afrofuturism; Xenofeminism; philosophical realism; the productive force of alienation; and the unbearable lightness of current creative discourse.

Contributors
Mark Foster Gage, Jacques Rancière, Elaine Scarry, Graham Harman, Timothy Morton, Ferda Kolatan, Adam Fure, Michael Young, Nettrice R. Gaskins, Roger Rothman, Diann Bauer, Matt Shaw, Albena Yaneva, Brett Mommersteeg, Lydia Kallipoliti, Ariane Lourie Harrison, Rhett Russo, Peggy Deamer, Caroline Picard

Matt Shaw, Managing Editor

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

How aesthetics—understood as a more encompassing framework for human activity—might become the primary discourse for political and social engagement.

These essays make the case for a reignited understanding of aesthetics—one that casts aesthetics not as illusory, subjective, or superficial, but as a more encompassing framework for human activity. Such an aesthetics, the contributors suggest, could become the primary discourse for political and social engagement. Departing from the “critical” stance of twentieth-century artists and theorists who embraced a counter-aesthetic framework for political engagement, this book documents how a broader understanding of aesthetics can offer insights into our relationships not only with objects, spaces, environments, and ecologies, but also with each other and the political structures in which we are all enmeshed.

The contributors—philosophers, media theorists, artists, curators, writers and architects including such notable figures as Jacques Rancière, Graham Harman, and Elaine Scarry—build a compelling framework for a new aesthetic discourse. The book opens with a conversation in which Rancière tells the volume's editor, Mark Foster Gage, that the aesthetic is “about the experience of a common world.” The essays following discuss such topics as the perception of reality; abstraction in ethics, epistemology, and aesthetics as the “first philosophy”; Afrofuturism; Xenofeminism; philosophical realism; the productive force of alienation; and the unbearable lightness of current creative discourse.

Contributors
Mark Foster Gage, Jacques Rancière, Elaine Scarry, Graham Harman, Timothy Morton, Ferda Kolatan, Adam Fure, Michael Young, Nettrice R. Gaskins, Roger Rothman, Diann Bauer, Matt Shaw, Albena Yaneva, Brett Mommersteeg, Lydia Kallipoliti, Ariane Lourie Harrison, Rhett Russo, Peggy Deamer, Caroline Picard

Matt Shaw, Managing Editor

More books from The MIT Press

Cover of the book The Systemic Image by
Cover of the book Architectural Robotics by
Cover of the book After Phrenology by
Cover of the book The Art of Naming by
Cover of the book The Fabric of Interface by
Cover of the book Once Upon an Algorithm by
Cover of the book Philosophy of Language by
Cover of the book Feeling Extended by
Cover of the book Persuasive Games by
Cover of the book Invisible Engines by
Cover of the book Memory and Movies by
Cover of the book All for Nothing by
Cover of the book How Change Happens by
Cover of the book Energy at the End of the World by
Cover of the book Beyond the Big Ditch by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy