Afrofuturism and Black Sound Studies

Culture, Technology, and Things to Come

Nonfiction, Social & Cultural Studies, Social Science, Sociology, Entertainment, Music
Cover of the book Afrofuturism and Black Sound Studies by Erik Steinskog, Springer International Publishing
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Author: Erik Steinskog ISBN: 9783319660417
Publisher: Springer International Publishing Publication: November 6, 2017
Imprint: Palgrave Macmillan Language: English
Author: Erik Steinskog
ISBN: 9783319660417
Publisher: Springer International Publishing
Publication: November 6, 2017
Imprint: Palgrave Macmillan
Language: English

This book interrogates the meeting point between Afrofuturism and Black Sound Studies. Whereas Afrofuturism is often understood primarily in relation to science fiction and speculative fiction, it can also be examined from a sonic perspective. 

The sounds of Afrofuturism are deeply embedded in the speculative – demonstrated in mythmaking – in frameworks for songs and compositions, in the personas of the artists, and in how the sounds are produced. In highlighting the place of music within the lived experiences of African Americans, the author analyses how the perspectives of Black Sound Studies complement and overlap with the discussion of sonic Afrofuturism. Focusing upon blackness, technology, and sound, this unique text offers key insights in how music partakes in imagining and constructing the future. 

This innovative volume will appeal to students and scholars of sound studies, musicology and African American studies.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book interrogates the meeting point between Afrofuturism and Black Sound Studies. Whereas Afrofuturism is often understood primarily in relation to science fiction and speculative fiction, it can also be examined from a sonic perspective. 

The sounds of Afrofuturism are deeply embedded in the speculative – demonstrated in mythmaking – in frameworks for songs and compositions, in the personas of the artists, and in how the sounds are produced. In highlighting the place of music within the lived experiences of African Americans, the author analyses how the perspectives of Black Sound Studies complement and overlap with the discussion of sonic Afrofuturism. Focusing upon blackness, technology, and sound, this unique text offers key insights in how music partakes in imagining and constructing the future. 

This innovative volume will appeal to students and scholars of sound studies, musicology and African American studies.

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