Alienation Effects

Performance and Self-Management in Yugoslavia, 1945-91

Nonfiction, Entertainment, Theatre, Performing Arts
Cover of the book Alienation Effects by Branislav Jakovljevic, University of Michigan Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Branislav Jakovljevic ISBN: 9780472121984
Publisher: University of Michigan Press Publication: June 23, 2016
Imprint: University of Michigan Press Language: English
Author: Branislav Jakovljevic
ISBN: 9780472121984
Publisher: University of Michigan Press
Publication: June 23, 2016
Imprint: University of Michigan Press
Language: English

In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed between the democratization of the arts and industrial democracy, resulting in a culture difficult to classify. The book challenges the assumption that the art emerging in Eastern Europe before 1989 was either “official” or “dissident” art; and shows thatthe break up of Yugoslavia was not a result of “ancient hatreds” among its peoples but instead came from the distortion and defeat of the idea of self-management.
 
The case studies include mass performances organized during state holidays; proto-performance art, such as the 1954 production of Waiting for Godot in a former concentration camp in Belgrade; student demonstrations in 1968; and body art pieces by Gina Pane, Joseph Beuys, Marina Abramovic, and others. Alienation Effects sheds new light on the work of well-known artists and scholars, including  early experimental poetry by Slavoj Žižek, as well as performance and conceptual artists that deserve wider, international attention.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed between the democratization of the arts and industrial democracy, resulting in a culture difficult to classify. The book challenges the assumption that the art emerging in Eastern Europe before 1989 was either “official” or “dissident” art; and shows thatthe break up of Yugoslavia was not a result of “ancient hatreds” among its peoples but instead came from the distortion and defeat of the idea of self-management.
 
The case studies include mass performances organized during state holidays; proto-performance art, such as the 1954 production of Waiting for Godot in a former concentration camp in Belgrade; student demonstrations in 1968; and body art pieces by Gina Pane, Joseph Beuys, Marina Abramovic, and others. Alienation Effects sheds new light on the work of well-known artists and scholars, including  early experimental poetry by Slavoj Žižek, as well as performance and conceptual artists that deserve wider, international attention.

More books from University of Michigan Press

Cover of the book A Tale of Two Capitalisms by Branislav Jakovljevic
Cover of the book Congress on Display, Congress at Work by Branislav Jakovljevic
Cover of the book Defending Diversity by Branislav Jakovljevic
Cover of the book Haunted City by Branislav Jakovljevic
Cover of the book Hallowed Stewards by Branislav Jakovljevic
Cover of the book Dameronia by Branislav Jakovljevic
Cover of the book Representation Rights and the Burger Years by Branislav Jakovljevic
Cover of the book Music in American Crime Prevention and Punishment by Branislav Jakovljevic
Cover of the book Affirmative Action and Minority Enrollments in Medical and Law Schools by Branislav Jakovljevic
Cover of the book Consumption and Violence by Branislav Jakovljevic
Cover of the book Mixed-Member Electoral Systems in Constitutional Context by Branislav Jakovljevic
Cover of the book Community Identity and Archaeology by Branislav Jakovljevic
Cover of the book Someone to Watch Over Me by Branislav Jakovljevic
Cover of the book The Best of Bacon by Branislav Jakovljevic
Cover of the book The Limits to Union by Branislav Jakovljevic
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy