An Aural-Performance Analysis of Revelation 1 and 11

Nonfiction, Religion & Spirituality, Bible & Bible Studies, New Testament, Criticism & Interpretation, Reference & Language, Language Arts, Communication
Cover of the book An Aural-Performance Analysis of Revelation 1 and 11 by Kayle B. de Waal, Peter Lang
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Author: Kayle B. de Waal ISBN: 9781454190998
Publisher: Peter Lang Publication: July 20, 2015
Imprint: Peter Lang Inc., International Academic Publishers Language: English
Author: Kayle B. de Waal
ISBN: 9781454190998
Publisher: Peter Lang
Publication: July 20, 2015
Imprint: Peter Lang Inc., International Academic Publishers
Language: English

This book breaks fresh ground in the interpretation of the Apocalypse with an interdisciplinary methodology called aural-performance criticism that assesses how the first-century audience would have heard the Apocalypse. First-century media culture is probed by assessing the dynamics of literacy, orality, aurality, and performance in the Gospels, parts of the Pauline corpus, and also Jewish apocalyptic literature. The audience constructs of informed, minimal, and competent assist the interpreter to apply the methodology. Sound maps and an aural-performance commentary of Revelation 1 and 11 are developed that analyze aural markers, sound style, identity markers, repetition, themes, and the appropriation of the message by the audience. The book concludes by examining the sociological, theological, and communal aspects of aurality and performance and its implications for interpreting the Apocalypse.

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This book breaks fresh ground in the interpretation of the Apocalypse with an interdisciplinary methodology called aural-performance criticism that assesses how the first-century audience would have heard the Apocalypse. First-century media culture is probed by assessing the dynamics of literacy, orality, aurality, and performance in the Gospels, parts of the Pauline corpus, and also Jewish apocalyptic literature. The audience constructs of informed, minimal, and competent assist the interpreter to apply the methodology. Sound maps and an aural-performance commentary of Revelation 1 and 11 are developed that analyze aural markers, sound style, identity markers, repetition, themes, and the appropriation of the message by the audience. The book concludes by examining the sociological, theological, and communal aspects of aurality and performance and its implications for interpreting the Apocalypse.

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