Antiauthoritarian representation of reality within two of Virginia Woolf's novels

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Antiauthoritarian representation of reality within two of Virginia Woolf's novels by Ann-Kathleen Kraetzig, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ann-Kathleen Kraetzig ISBN: 9783640269594
Publisher: GRIN Publishing Publication: February 17, 2009
Imprint: GRIN Publishing Language: English
Author: Ann-Kathleen Kraetzig
ISBN: 9783640269594
Publisher: GRIN Publishing
Publication: February 17, 2009
Imprint: GRIN Publishing
Language: English

Thesis (M.A.) from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,7, Bielefeld University, 45 entries in the bibliography, language: English, abstract: 'Catch me if you can' was the invitation Virginia Woolf tried to meet in various ways during her career as a writer. This invitation had been uttered by a character in Woolf's essay Mr Bennet and Mrs Brown1, where she expresses her intention to catch reality within her novels. The discussion of representation of reality has a long tradition. Before Virginia Woolf began to think about the concept of reality, the Edwardians tried to transfer reality to their novels by presenting detailed descriptions of the outer world. When the modern writers emerged, they turned their backs on the traditional novel and adopted the current interest in psychology into their works by concentrating on the individual mind. In this context, Virginia Woolf's thoughts and theories are very interesting as she criticised both, the Edwardians as well as some modern writers. That is, she was neither convinced by the technique of the Edwardians, nor by the way her contemporaries approached the psychological representation of reality. She felt disappointed by the former mainly because of their detailed description of the outer world which she regarded as superfluous, and blamed the latter for their monological, unrestricted representation of the mind. Although Woolf supported the modern tradition to concentrate on the mind rather than on plot, she had an aesthetical claim which was incompatible with the erratic stream of consciousness technique. Additionally, she questioned the objectivity of a monological representation and searched for new ways to catch and represent reality. The problem was thus, how to convert her intentions into her writing.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Thesis (M.A.) from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,7, Bielefeld University, 45 entries in the bibliography, language: English, abstract: 'Catch me if you can' was the invitation Virginia Woolf tried to meet in various ways during her career as a writer. This invitation had been uttered by a character in Woolf's essay Mr Bennet and Mrs Brown1, where she expresses her intention to catch reality within her novels. The discussion of representation of reality has a long tradition. Before Virginia Woolf began to think about the concept of reality, the Edwardians tried to transfer reality to their novels by presenting detailed descriptions of the outer world. When the modern writers emerged, they turned their backs on the traditional novel and adopted the current interest in psychology into their works by concentrating on the individual mind. In this context, Virginia Woolf's thoughts and theories are very interesting as she criticised both, the Edwardians as well as some modern writers. That is, she was neither convinced by the technique of the Edwardians, nor by the way her contemporaries approached the psychological representation of reality. She felt disappointed by the former mainly because of their detailed description of the outer world which she regarded as superfluous, and blamed the latter for their monological, unrestricted representation of the mind. Although Woolf supported the modern tradition to concentrate on the mind rather than on plot, she had an aesthetical claim which was incompatible with the erratic stream of consciousness technique. Additionally, she questioned the objectivity of a monological representation and searched for new ways to catch and represent reality. The problem was thus, how to convert her intentions into her writing.

More books from GRIN Publishing

Cover of the book Complaint management - a short overview by Ann-Kathleen Kraetzig
Cover of the book School children should do sport on a daily basis by Ann-Kathleen Kraetzig
Cover of the book A City's Phenomenon - From Impersonality to Loneliness, and the Struggle for Emotional Satisfaction. Characteristics of a Metropolis such as New York. by Ann-Kathleen Kraetzig
Cover of the book The representation of immigrant life in Upton Sinclair's 'The Jungle' by Ann-Kathleen Kraetzig
Cover of the book Predisposing Factors, Isolation, Sensitivity to Antibiotics and Control Methods of Salmonellosis in Nakuru North Sub-County, Kenya by Ann-Kathleen Kraetzig
Cover of the book COIN Vignettes - Somalia: Understanding your Environment by Ann-Kathleen Kraetzig
Cover of the book Sales Psychology, Negotiation and Persuasion by Ann-Kathleen Kraetzig
Cover of the book CO2 Emissions - Moving from an Environmental Issue to an Economic Variable and the Implications for the German Chemical Businesses by Ann-Kathleen Kraetzig
Cover of the book Delineating an Educational Policy Framework for the Developing Nations in Meeting the Emerging Global Challenges by year 2050 by Ann-Kathleen Kraetzig
Cover of the book Becoming Transnational? Russion Jewish Students at the Universities of Late Imperial Germany by Ann-Kathleen Kraetzig
Cover of the book Which was the most effective analysis of the early cold war period, NSC-68 or NSC-162/2 by Ann-Kathleen Kraetzig
Cover of the book Managing People in International Hospitality &Tourism Industries by Ann-Kathleen Kraetzig
Cover of the book EC Consumer and Health Law in the Candidate Countries by Ann-Kathleen Kraetzig
Cover of the book An Alternative Muslim Emancipation. Monica Ali's 'Brick Lane' (2003) by Ann-Kathleen Kraetzig
Cover of the book Thomas Jefferson and Slavery - Was He Really an Opponent of the Institution? by Ann-Kathleen Kraetzig
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy