Aphra Behn: The Comedies

Fiction & Literature, Literary Theory & Criticism
Cover of the book Aphra Behn: The Comedies by Kate Aughterson, Macmillan Education UK
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Author: Kate Aughterson ISBN: 9780230629448
Publisher: Macmillan Education UK Publication: March 14, 2017
Imprint: Red Globe Press Language: English
Author: Kate Aughterson
ISBN: 9780230629448
Publisher: Macmillan Education UK
Publication: March 14, 2017
Imprint: Red Globe Press
Language: English

Kate Aughterson provides readers with an approachable and fascinating critical guide to the dramatic works of an important seventeenth-century woman writer. Aughterson analyses Aphra Behn's abilities as a playwright, showing particularly how she skillfully employs comic and dramatic conventions to radical ends, and how she forces her audience to engage with issues about gender and sexuality whilst retaining her witty and accessible style.

Chapters in the first part of the book provide close readings of the comedies, addressing such topics as openings, endings, character types, staging, and politics and society. In the second part, Aughterson not only examines Behn's literary career and the Restoration contexts of her plays, but also looks at some sample criticism and explores Behn's drama as performance.

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Kate Aughterson provides readers with an approachable and fascinating critical guide to the dramatic works of an important seventeenth-century woman writer. Aughterson analyses Aphra Behn's abilities as a playwright, showing particularly how she skillfully employs comic and dramatic conventions to radical ends, and how she forces her audience to engage with issues about gender and sexuality whilst retaining her witty and accessible style.

Chapters in the first part of the book provide close readings of the comedies, addressing such topics as openings, endings, character types, staging, and politics and society. In the second part, Aughterson not only examines Behn's literary career and the Restoration contexts of her plays, but also looks at some sample criticism and explores Behn's drama as performance.

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