Approaching the Bible in medieval England

Nonfiction, History, Medieval, British
Cover of the book Approaching the Bible in medieval England by Eyal Poleg, Manchester University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Eyal Poleg ISBN: 9781526110527
Publisher: Manchester University Press Publication: May 16, 2016
Imprint: Manchester University Press Language: English
Author: Eyal Poleg
ISBN: 9781526110527
Publisher: Manchester University Press
Publication: May 16, 2016
Imprint: Manchester University Press
Language: English

How did people learn their Bibles in the Middle Ages? Did church murals, biblical manuscripts, sermons or liturgical processions transmit the Bible in the same way? This book unveils the dynamics of biblical knowledge and dissemination in thirteenth- and fourteenth-century England. An extensive and interdisciplinary survey of biblical manuscripts and visual images, sermons and chants, reveals how the unique qualities of each medium became part of the way the Bible was known and recalled; how oral, textual, performative and visual means of transmission joined to present a surprisingly complex biblical worldview. This study of liturgy and preaching, manuscript culture and talismanic use introduces the concept of biblical mediation, a new way to explore Scriptures and society. It challenges the lay-clerical divide by demonstrating that biblical exegesis was presented to the laity in non-textual means, while the ‘naked text’ of the Bible remained elusive even for the educated clergy.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

How did people learn their Bibles in the Middle Ages? Did church murals, biblical manuscripts, sermons or liturgical processions transmit the Bible in the same way? This book unveils the dynamics of biblical knowledge and dissemination in thirteenth- and fourteenth-century England. An extensive and interdisciplinary survey of biblical manuscripts and visual images, sermons and chants, reveals how the unique qualities of each medium became part of the way the Bible was known and recalled; how oral, textual, performative and visual means of transmission joined to present a surprisingly complex biblical worldview. This study of liturgy and preaching, manuscript culture and talismanic use introduces the concept of biblical mediation, a new way to explore Scriptures and society. It challenges the lay-clerical divide by demonstrating that biblical exegesis was presented to the laity in non-textual means, while the ‘naked text’ of the Bible remained elusive even for the educated clergy.

More books from Manchester University Press

Cover of the book The Three Amigos by Eyal Poleg
Cover of the book Popular virtue by Eyal Poleg
Cover of the book A History of the University of Manchester, 1973–90 by Eyal Poleg
Cover of the book Why theory? by Eyal Poleg
Cover of the book The extended self by Eyal Poleg
Cover of the book The Gothic and death by Eyal Poleg
Cover of the book Catholic Literature and Secularisation in France and England, 1880–1914 by Eyal Poleg
Cover of the book Politics, performance and popular culture by Eyal Poleg
Cover of the book Essex by Eyal Poleg
Cover of the book The last taboo by Eyal Poleg
Cover of the book From entertainment to citizenship by Eyal Poleg
Cover of the book Space and Being in Contemporary French Cinema by Eyal Poleg
Cover of the book Impostures in early modern England by Eyal Poleg
Cover of the book The European Union and culture by Eyal Poleg
Cover of the book Performance art in Eastern Europe since 1960 by Eyal Poleg
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy