Argentine Cinema

From Noir to Neo-Noir

Nonfiction, History, Americas, South America, Art & Architecture, General Art, Art Technique
Cover of the book Argentine Cinema by David George, Gizella Meneses, Lexington Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: David George, Gizella Meneses ISBN: 9781498511872
Publisher: Lexington Books Publication: December 22, 2017
Imprint: Lexington Books Language: English
Author: David George, Gizella Meneses
ISBN: 9781498511872
Publisher: Lexington Books
Publication: December 22, 2017
Imprint: Lexington Books
Language: English

Argentine Cinema: From Noir to Neo-Noir examines the phenomenon of Argentine film noir. Beginning with definitions of film noir and its international iterations, the book presents a history of the development of film noir and neo-noir in Argentina (from the 1940s to the present), as well as a technical, aesthetic, and socio-historical analysis of such recent Argentine neo-noir films as The Aura, The Secret in Their Eyes, and The German Doctor. It considers the question of inscription of such classic noirs as Double Indemnity and The Third Man and looks forward to future scholarly work on other Latin American noir and neo-noir films, especially those produced in Mexico and Brazil.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Argentine Cinema: From Noir to Neo-Noir examines the phenomenon of Argentine film noir. Beginning with definitions of film noir and its international iterations, the book presents a history of the development of film noir and neo-noir in Argentina (from the 1940s to the present), as well as a technical, aesthetic, and socio-historical analysis of such recent Argentine neo-noir films as The Aura, The Secret in Their Eyes, and The German Doctor. It considers the question of inscription of such classic noirs as Double Indemnity and The Third Man and looks forward to future scholarly work on other Latin American noir and neo-noir films, especially those produced in Mexico and Brazil.

More books from Lexington Books

Cover of the book Vodou in Haitian Memory by David George, Gizella Meneses
Cover of the book Surviving with Dignity by David George, Gizella Meneses
Cover of the book Winning the Unwinnable War by David George, Gizella Meneses
Cover of the book Dancing with the Dragon by David George, Gizella Meneses
Cover of the book Gandhi's Experiments with Truth by David George, Gizella Meneses
Cover of the book Corporeal Archipelagos by David George, Gizella Meneses
Cover of the book Reelpolitik Ideologies in American Political Film by David George, Gizella Meneses
Cover of the book Experiences of Single African-American Women Professors by David George, Gizella Meneses
Cover of the book Asian Tradition and Cosmopolitan Politics by David George, Gizella Meneses
Cover of the book The Dialectics of Post-Soviet Modernity and the Changing Contours of Islamic Discourse in Azerbaijan by David George, Gizella Meneses
Cover of the book The Qur’an and Its Biblical Reflexes by David George, Gizella Meneses
Cover of the book Wittgenstein at the Movies by David George, Gizella Meneses
Cover of the book Cosmos and the Rhetoric of Popular Science by David George, Gizella Meneses
Cover of the book Rhythm and Blues Goes Calypso by David George, Gizella Meneses
Cover of the book Heroes, Heroines, and Everything in Between by David George, Gizella Meneses
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy