Arms and the Woman

Classical Tradition and Women Writers in the Venetian Renaissance

Fiction & Literature, Literary Theory & Criticism, European, Italian, Feminist Criticism
Cover of the book Arms and the Woman by Francesca D'Alessandro Behr, Ohio State University Press
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Author: Francesca D'Alessandro Behr ISBN: 9780814276280
Publisher: Ohio State University Press Publication: May 20, 2018
Imprint: Ohio State University Press Language: English
Author: Francesca D'Alessandro Behr
ISBN: 9780814276280
Publisher: Ohio State University Press
Publication: May 20, 2018
Imprint: Ohio State University Press
Language: English

*Arms and the Woman: Classical Tradition and Women Writers in the Venetian Renaissance *by Francesca D’Alessandro Behr focuses on the classical reception in the works of female authors active in Venice during the Early Modern Age. Even in this relatively liberal city, women had restricted access to education and were subject to deep-seated cultural prejudices, but those who read and wrote were able, in part, to overcome those limitations.
 
In this study, Behr explores the work of Moderata Fonte and Lucrezia Marinella and demonstrates how they used knowledge of texts by Virgil, Ovid, and Aristotle to systematically reanalyze the biased patterns apparent both in the romance epic genre and contemporary society. Whereas these classical texts were normally used to bolster the belief in female inferiority and the status quo, Fonte and Marinella used them to envision societies structured according to new, egalitarian ethics. Reflecting on the humanist representation of virtue, Fonte and Marinella insisted on the importance of peace, mercy, and education for women. These authors took up the theme of the equality of genders and participated in the Renaissance querelle des femmes, promoting women’s capabilities and nature.
 

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*Arms and the Woman: Classical Tradition and Women Writers in the Venetian Renaissance *by Francesca D’Alessandro Behr focuses on the classical reception in the works of female authors active in Venice during the Early Modern Age. Even in this relatively liberal city, women had restricted access to education and were subject to deep-seated cultural prejudices, but those who read and wrote were able, in part, to overcome those limitations.
 
In this study, Behr explores the work of Moderata Fonte and Lucrezia Marinella and demonstrates how they used knowledge of texts by Virgil, Ovid, and Aristotle to systematically reanalyze the biased patterns apparent both in the romance epic genre and contemporary society. Whereas these classical texts were normally used to bolster the belief in female inferiority and the status quo, Fonte and Marinella used them to envision societies structured according to new, egalitarian ethics. Reflecting on the humanist representation of virtue, Fonte and Marinella insisted on the importance of peace, mercy, and education for women. These authors took up the theme of the equality of genders and participated in the Renaissance querelle des femmes, promoting women’s capabilities and nature.
 

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