Art as the Absolute

Art's Relation to Metaphysics in Kant, Fichte, Schelling, Hegel, and Schopenhauer

Nonfiction, Religion & Spirituality, Philosophy, Aesthetics, Fiction & Literature, Literary Theory & Criticism, Theory
Cover of the book Art as the Absolute by Professor Paul Gordon, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Professor Paul Gordon ISBN: 9781501308024
Publisher: Bloomsbury Publishing Publication: September 24, 2015
Imprint: Bloomsbury Academic Language: English
Author: Professor Paul Gordon
ISBN: 9781501308024
Publisher: Bloomsbury Publishing
Publication: September 24, 2015
Imprint: Bloomsbury Academic
Language: English

Art as the Absolute is a literary and philosophical investigation into the meaning of art and its claims to truth. Exploring in particular the writings of Kant and those who followed after, including Fichte, Schelling, Hegel, Schopenhauer, and Nietzsche, Paul Gordon contends that art solves the problem of how one can "know†? the absolute in non-conceptual, non-discursive terms.

The idea of art's inherent relation to the absolute, first explicitly rendered by Kant, is examined in major works from 1790 to 1823. The first and last chapters, on Plato and Nietzsche respectively, deal with precursors and "post-cursors†? of this idea. Gordon shows and seeks to reddress the lack of attention to this idea after Hegel, as well as in contemporary reassessments of this period. Art as the Absolute will be of interest to students and scholars studying aesthetics from both a literary and philosophical perspective.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Art as the Absolute is a literary and philosophical investigation into the meaning of art and its claims to truth. Exploring in particular the writings of Kant and those who followed after, including Fichte, Schelling, Hegel, Schopenhauer, and Nietzsche, Paul Gordon contends that art solves the problem of how one can "know†? the absolute in non-conceptual, non-discursive terms.

The idea of art's inherent relation to the absolute, first explicitly rendered by Kant, is examined in major works from 1790 to 1823. The first and last chapters, on Plato and Nietzsche respectively, deal with precursors and "post-cursors†? of this idea. Gordon shows and seeks to reddress the lack of attention to this idea after Hegel, as well as in contemporary reassessments of this period. Art as the Absolute will be of interest to students and scholars studying aesthetics from both a literary and philosophical perspective.

More books from Bloomsbury Publishing

Cover of the book Statues by Professor Paul Gordon
Cover of the book Radical Decadence by Professor Paul Gordon
Cover of the book Pindar by Professor Paul Gordon
Cover of the book Interrogating Francoism by Professor Paul Gordon
Cover of the book A New History of Life by Professor Paul Gordon
Cover of the book Welcome to the Urban Revolution by Professor Paul Gordon
Cover of the book An Inquiry into the Philosophical Concept of Scholê by Professor Paul Gordon
Cover of the book Propertius, Tibullus and Ovid: A Selection of Love Poetry by Professor Paul Gordon
Cover of the book Nine Lives by Professor Paul Gordon
Cover of the book Egyptian Tales: The Gold in the Grave by Professor Paul Gordon
Cover of the book The Irish Defence Forces since 1922 by Professor Paul Gordon
Cover of the book The Stalin and Molotov Lines by Professor Paul Gordon
Cover of the book Literature of the Early Twentieth Century: From the Constitutional Period to Reza Shah by Professor Paul Gordon
Cover of the book The Frozen Frontier by Professor Paul Gordon
Cover of the book A World History of War Crimes by Professor Paul Gordon
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy