Authorship and the Films of David Lynch

Aesthetic Receptions in Contemporary Hollywood

Nonfiction, Entertainment, Film, Direction & Production, Performing Arts, Social & Cultural Studies, Social Science
Cover of the book Authorship and the Films of David Lynch by Antony Todd, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Antony Todd ISBN: 9780857731364
Publisher: Bloomsbury Publishing Publication: February 28, 2012
Imprint: I.B. Tauris Language: English
Author: Antony Todd
ISBN: 9780857731364
Publisher: Bloomsbury Publishing
Publication: February 28, 2012
Imprint: I.B. Tauris
Language: English

This fresh contribution to studies on authorship and film explores the ways in which shared and disputed opinions on aesthetic quality, originality and authorial essence have shaped receptions of David Lynch's films. It is also the first book to approach Lynch as a figure composed through language, history and text.

Antony Todd traces the development of Lynch's career from cult obscurity with Eraserhead to star auteur through the release of Blue Velvet, as well as the television event of the early 1990s, Twin Peaks. He investigates how Lynch's idiosyncratic style introduced the term 'Lynchian' to the colloquial speech of new Hollywood and helped establish Lynch as the leading light among contemporary American auteurs. Through the evidence of critical and promotional ephemera and the texts carrying Lynch's name, Todd explores contemporary manners and attitudes for artistic reputation building. He also reviews the standards by which Lynch's reputation was dismantled following the release of Wild at Heart and Twin Peaks: Fire Walk with Me, only to be reassembled once more through films such as Lost Highway, Mulholland Dr. and INLAND EMPIRE.

This book also ventures beyond its empirical findings by addressing authorship concerns pertaining to the ways in which, and to whom, the contemporary auteur has meaning. In its account of the experiences at play in the encounter between ephemera, text and reader, Authorship and the Films of David Lynch explores how authors function for pleasure in the modern filmgoer's everyday consumption of films.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This fresh contribution to studies on authorship and film explores the ways in which shared and disputed opinions on aesthetic quality, originality and authorial essence have shaped receptions of David Lynch's films. It is also the first book to approach Lynch as a figure composed through language, history and text.

Antony Todd traces the development of Lynch's career from cult obscurity with Eraserhead to star auteur through the release of Blue Velvet, as well as the television event of the early 1990s, Twin Peaks. He investigates how Lynch's idiosyncratic style introduced the term 'Lynchian' to the colloquial speech of new Hollywood and helped establish Lynch as the leading light among contemporary American auteurs. Through the evidence of critical and promotional ephemera and the texts carrying Lynch's name, Todd explores contemporary manners and attitudes for artistic reputation building. He also reviews the standards by which Lynch's reputation was dismantled following the release of Wild at Heart and Twin Peaks: Fire Walk with Me, only to be reassembled once more through films such as Lost Highway, Mulholland Dr. and INLAND EMPIRE.

This book also ventures beyond its empirical findings by addressing authorship concerns pertaining to the ways in which, and to whom, the contemporary auteur has meaning. In its account of the experiences at play in the encounter between ephemera, text and reader, Authorship and the Films of David Lynch explores how authors function for pleasure in the modern filmgoer's everyday consumption of films.

More books from Bloomsbury Publishing

Cover of the book Consumer Law by Antony Todd
Cover of the book Nabokov in America by Antony Todd
Cover of the book Using Film to Understand Childhood and Practice by Antony Todd
Cover of the book Aeschylus: Eumenides by Antony Todd
Cover of the book Globalization and the Mission of the Church by Antony Todd
Cover of the book Life Of Galileo by Antony Todd
Cover of the book Run to the Sound of the Guns by Antony Todd
Cover of the book The Complete Day Skipper by Antony Todd
Cover of the book Sellout by Antony Todd
Cover of the book Buckles by Antony Todd
Cover of the book Criminal Evidence and Human Rights by Antony Todd
Cover of the book Foxhunting in Paradise by Antony Todd
Cover of the book 100 Ideas for Secondary Teachers: Managing Behaviour by Antony Todd
Cover of the book Things I Don't Want to Know by Antony Todd
Cover of the book German Infantryman vs Soviet Rifleman by Antony Todd
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy