Bach's Major Vocal Works

Music, Drama, Liturgy

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Classical
Cover of the book Bach's Major Vocal Works by Markus Rathey, Yale University Press
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Author: Markus Rathey ISBN: 9780300219517
Publisher: Yale University Press Publication: February 19, 2016
Imprint: Yale University Press Language: English
Author: Markus Rathey
ISBN: 9780300219517
Publisher: Yale University Press
Publication: February 19, 2016
Imprint: Yale University Press
Language: English
Every year, Johann Sebastian Bach’s major vocal works are performed to mark liturgical milestones in the Christian calendar. Written by a renowned Bach scholar, this concise and accessible book provides an introduction to the music and cultural contexts of the composer’s most beloved masterpieces, including the Magnificat, Christmas Oratorio, and St. John Passion.
 
In addition to providing historical information, each chapter highlights significant aspects—such as the theology of love—of a particular piece. This penetrating volume is the first to treat the vocal works as a whole, showing how the compositions were embedded in their original performative context within the liturgy as well as discussing Bach’s musical style, from the detailed level of individual movements to the overarching aspects of each work. Published in the approach to Easter when many of these vocal works are performed, this outstanding volume will appeal to casual concertgoers and scholars alike.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Every year, Johann Sebastian Bach’s major vocal works are performed to mark liturgical milestones in the Christian calendar. Written by a renowned Bach scholar, this concise and accessible book provides an introduction to the music and cultural contexts of the composer’s most beloved masterpieces, including the Magnificat, Christmas Oratorio, and St. John Passion.
 
In addition to providing historical information, each chapter highlights significant aspects—such as the theology of love—of a particular piece. This penetrating volume is the first to treat the vocal works as a whole, showing how the compositions were embedded in their original performative context within the liturgy as well as discussing Bach’s musical style, from the detailed level of individual movements to the overarching aspects of each work. Published in the approach to Easter when many of these vocal works are performed, this outstanding volume will appeal to casual concertgoers and scholars alike.

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