Basic Principles of Classical Ballet

Nonfiction, Entertainment, Dance, Classical, Performing Arts
Cover of the book Basic Principles of Classical Ballet by Agrippina Vaganova, Dover Publications
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Agrippina Vaganova ISBN: 9780486121055
Publisher: Dover Publications Publication: April 18, 2012
Imprint: Dover Publications Language: English
Author: Agrippina Vaganova
ISBN: 9780486121055
Publisher: Dover Publications
Publication: April 18, 2012
Imprint: Dover Publications
Language: English

Although the stars of Russian ballet Anna Pavlova and Tamara Karsavina possessed a national manner of dancing, there was no truly Russian school of dancing until the 1930s. The development of this school was largely due to Mme. Vaganova (1879–1951), not only a great dancer but also the teacher of Galina Ulanova and many others and an unsurpassed theoretician.
The principles of Vaganova's system are presented in this well-known book. Mme. Vaganova's aim of creating a personal approach to the Russian dance was based on the critical assimilation of the experience of her contemporaries. Her ability to choose the best of what had been accomplished in the various ballet traditions (French, Italian, and Russian) and combine these into a unified teaching practice in itself amounted to a new school of dance. She firmly believed that the teaching process should be a planned exercise, ever changing with innovations in the dance. She sought from her pupils emotional expressiveness, strictness of form, a resolute, energetic manner of performance, and the understanding of the underlying coordination of movements.
Her book discusses all basic principles of ballet, grouping movements by fundamental types. Chapters cover battements, rotary movements of the legs, the arms, poses of the classical dance, connecting and auxiliary movements, jumps, beats, point work, and turns as well as material for a sample lesson. Diagrams show clearly the exact foot, leg, arm, and body positions for the proper execution of many steps and movements. The result is a fundamental theory of dance that offers dancers, teachers, and ballet lovers information often difficult to locate in other books.
118 illustrations.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Although the stars of Russian ballet Anna Pavlova and Tamara Karsavina possessed a national manner of dancing, there was no truly Russian school of dancing until the 1930s. The development of this school was largely due to Mme. Vaganova (1879–1951), not only a great dancer but also the teacher of Galina Ulanova and many others and an unsurpassed theoretician.
The principles of Vaganova's system are presented in this well-known book. Mme. Vaganova's aim of creating a personal approach to the Russian dance was based on the critical assimilation of the experience of her contemporaries. Her ability to choose the best of what had been accomplished in the various ballet traditions (French, Italian, and Russian) and combine these into a unified teaching practice in itself amounted to a new school of dance. She firmly believed that the teaching process should be a planned exercise, ever changing with innovations in the dance. She sought from her pupils emotional expressiveness, strictness of form, a resolute, energetic manner of performance, and the understanding of the underlying coordination of movements.
Her book discusses all basic principles of ballet, grouping movements by fundamental types. Chapters cover battements, rotary movements of the legs, the arms, poses of the classical dance, connecting and auxiliary movements, jumps, beats, point work, and turns as well as material for a sample lesson. Diagrams show clearly the exact foot, leg, arm, and body positions for the proper execution of many steps and movements. The result is a fundamental theory of dance that offers dancers, teachers, and ballet lovers information often difficult to locate in other books.
118 illustrations.

More books from Dover Publications

Cover of the book The Landlady by Agrippina Vaganova
Cover of the book The Compleat Angler by Agrippina Vaganova
Cover of the book First-Order Partial Differential Equations, Vol. 2 by Agrippina Vaganova
Cover of the book Aristarchus of Samos by Agrippina Vaganova
Cover of the book Origami on the Edge by Agrippina Vaganova
Cover of the book The Texts of Taoism, Part I by Agrippina Vaganova
Cover of the book The Pyrgic Puzzler by Agrippina Vaganova
Cover of the book The Adventures of Bobby Raccoon by Agrippina Vaganova
Cover of the book Airigami by Agrippina Vaganova
Cover of the book Transport Processes in Chemically Reacting Flow Systems by Agrippina Vaganova
Cover of the book The Religious Affections by Agrippina Vaganova
Cover of the book Me by Agrippina Vaganova
Cover of the book A Vector Space Approach to Geometry by Agrippina Vaganova
Cover of the book The Story of the Treasure Seekers by Agrippina Vaganova
Cover of the book The Turn of the Screw by Agrippina Vaganova
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy