Becoming a Poet in Anglo-Saxon England

Fiction & Literature, Literary Theory & Criticism, Poetry History & Criticism, British
Cover of the book Becoming a Poet in Anglo-Saxon England by Emily V. Thornbury, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Emily V. Thornbury ISBN: 9781139862400
Publisher: Cambridge University Press Publication: January 30, 2014
Imprint: Cambridge University Press Language: English
Author: Emily V. Thornbury
ISBN: 9781139862400
Publisher: Cambridge University Press
Publication: January 30, 2014
Imprint: Cambridge University Press
Language: English

Combining historical, literary and linguistic evidence from Old English and Latin, Becoming a Poet in Anglo-Saxon England creates a new, more complete picture of who and what pre-Conquest English poets really were. It includes a study of Anglo-Saxon words for 'poet' and the first list of named poets in Anglo-Saxon England. Its survey of known poets identifies four social roles that poets often held - teachers, scribes, musicians and courtiers - and explores the kinds of poetry created by these individuals. The book also offers a new model for understanding the role of social groups in poets' experience: it argues that the presence or absence of a poetic community affected the work of Anglo-Saxon poets at all levels, from minute technical detail to the portrayal of character. This focus on poetic communities provides a new way to understand the intersection of history and literature in the Middle Ages.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Combining historical, literary and linguistic evidence from Old English and Latin, Becoming a Poet in Anglo-Saxon England creates a new, more complete picture of who and what pre-Conquest English poets really were. It includes a study of Anglo-Saxon words for 'poet' and the first list of named poets in Anglo-Saxon England. Its survey of known poets identifies four social roles that poets often held - teachers, scribes, musicians and courtiers - and explores the kinds of poetry created by these individuals. The book also offers a new model for understanding the role of social groups in poets' experience: it argues that the presence or absence of a poetic community affected the work of Anglo-Saxon poets at all levels, from minute technical detail to the portrayal of character. This focus on poetic communities provides a new way to understand the intersection of history and literature in the Middle Ages.

More books from Cambridge University Press

Cover of the book Dynamics of American Political Parties by Emily V. Thornbury
Cover of the book Information and the Nature of Reality by Emily V. Thornbury
Cover of the book Paternalism beyond Borders by Emily V. Thornbury
Cover of the book The British Industrial Revolution in Global Perspective by Emily V. Thornbury
Cover of the book Birth of the Leviathan by Emily V. Thornbury
Cover of the book Channel Codes by Emily V. Thornbury
Cover of the book FDR's Ambassadors and the Diplomacy of Crisis by Emily V. Thornbury
Cover of the book Body MR Imaging at 3 Tesla by Emily V. Thornbury
Cover of the book Dialogue, Argumentation and Education by Emily V. Thornbury
Cover of the book Tropical Montane Cloud Forests by Emily V. Thornbury
Cover of the book American Literature in Transition, 1950–1960 by Emily V. Thornbury
Cover of the book Feeling Hurt in Close Relationships by Emily V. Thornbury
Cover of the book Physics of Electronic Materials by Emily V. Thornbury
Cover of the book New Essays on Diderot by Emily V. Thornbury
Cover of the book The Hellenistic West by Emily V. Thornbury
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy