Behind the Seen

How Walter Murch Edited Cold Mountain Using Apple's Final Cut Pro and What This Means for Cinema

Nonfiction, Art & Architecture, Photography, Equipment & Techniques, Equipment, Computers, Application Software, Multimedia, Entertainment, Performing Arts
Cover of the book Behind the Seen by Charles Koppelman, Pearson Education
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Author: Charles Koppelman ISBN: 9780133786668
Publisher: Pearson Education Publication: October 21, 2004
Imprint: New Riders Language: English
Author: Charles Koppelman
ISBN: 9780133786668
Publisher: Pearson Education
Publication: October 21, 2004
Imprint: New Riders
Language: English

The first volume to reveal the post-production process of a major motion picture (Cold Mountain) edited entirely in Final Cut Pro!

  • Offers a rare inside glimpse at the creative process of one of cinema's giants: threetime Academy Award-winning editor Walter Murch.
  • Includes anecdotes from the director, edit staff, and producers; photos, emails, and journal entries from Murch; and behind-the-scenes insights.
  • Accounts from Apple's Final Cut Pro team about what they think about the future of it in feature films.

As the first software-only desktop nonlinear editing system, Final Cut Pro sat the film industry on its ear when it debuted back in 1999. Now it's shaking things up again as editor Walter Murch, director Anthony Minghella, and a long list of Hollywood heavy-hitters are proving that this under-$1,000 software can (and should) be used to edit a multi-million dollar motion picture! This book tells the story of that endeavor: the decision to use Final Cut Pro, the relationship between the technology and art (and craft) of movie-making, how Final Cut Pro was set up and configured for Cold Mountain, how the software's use affected the work flow, and its implications for the future of filmmaking. More than anything, however, this is Murch's own story of what seemed to many a crazy endeavor-- told through photos, journal entries, email musings, and anecdotes that give readers an inside view of what the film editor does and how this particular film progressed through post-production. The book includes, in his own words, Murch's vision, approach, and thoughts on storytelling as he shapes Cold Mountain under the intense pressures of completing a major studio film.

 

 

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The first volume to reveal the post-production process of a major motion picture (Cold Mountain) edited entirely in Final Cut Pro!

As the first software-only desktop nonlinear editing system, Final Cut Pro sat the film industry on its ear when it debuted back in 1999. Now it's shaking things up again as editor Walter Murch, director Anthony Minghella, and a long list of Hollywood heavy-hitters are proving that this under-$1,000 software can (and should) be used to edit a multi-million dollar motion picture! This book tells the story of that endeavor: the decision to use Final Cut Pro, the relationship between the technology and art (and craft) of movie-making, how Final Cut Pro was set up and configured for Cold Mountain, how the software's use affected the work flow, and its implications for the future of filmmaking. More than anything, however, this is Murch's own story of what seemed to many a crazy endeavor-- told through photos, journal entries, email musings, and anecdotes that give readers an inside view of what the film editor does and how this particular film progressed through post-production. The book includes, in his own words, Murch's vision, approach, and thoughts on storytelling as he shapes Cold Mountain under the intense pressures of completing a major studio film.

 

 

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