For the Records: How African American Consumers and Music Retailers Created Commercial Public Space in the 1960s and 1970s South

An article from Southern Cultures 17:4, The Music Issue

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference, History, Americas, United States

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Big bigCover of For the Records: How African American Consumers and Music Retailers Created Commercial Public Space in the 1960s and 1970s South

More books from The University of North Carolina Press

bigCover of the book This Grand Experiment by

bigCover of the book Underdevelopment and the Development of Law by

bigCover of the book The New Encyclopedia of Southern Culture by

bigCover of the book Wallace Stevens and Poetic Theory by

bigCover of the book Rum, Romanism, and Rebellion by

bigCover of the book Community Power Structure by

bigCover of the book The Black Bard of North Carolina by

bigCover of the book The Archaeology of Sanitation in Roman Italy by

bigCover of the book Transforming the Elite by

bigCover of the book On Freedom and the Will to Adorn by

bigCover of the book The Strange Career of Porgy and Bess by

bigCover of the book Gender and the Mexican Revolution by

bigCover of the book The Rise and Fall of Weimar Democracy by

bigCover of the book Sexuality, Politics, and Social Control in Virginia, 1920-1945 by

bigCover of the book To Lead As Equals by

We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy