Black and Blur

Nonfiction, Art & Architecture, General Art, Art History, American, Social & Cultural Studies, Social Science
Cover of the book Black and Blur by Fred Moten, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Fred Moten ISBN: 9780822372226
Publisher: Duke University Press Publication: November 16, 2017
Imprint: Duke University Press Books Language: English
Author: Fred Moten
ISBN: 9780822372226
Publisher: Duke University Press
Publication: November 16, 2017
Imprint: Duke University Press Books
Language: English

"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination

In Black and Blur—the first volume in his sublime and compelling trilogy consent not to be a single being—Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and José Esteban Muñoz and artists and musicians including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing, he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination

In Black and Blur—the first volume in his sublime and compelling trilogy consent not to be a single being—Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and José Esteban Muñoz and artists and musicians including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing, he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing.

More books from Duke University Press

Cover of the book A Century of Violence in a Red City by Fred Moten
Cover of the book Caribbean Journeys by Fred Moten
Cover of the book Bondmen and Rebels by Fred Moten
Cover of the book Land's End by Fred Moten
Cover of the book The Robert Bellah Reader by Fred Moten
Cover of the book The Promise of the Foreign by Fred Moten
Cover of the book Tough Love by Fred Moten
Cover of the book Unsettled Subjects by Fred Moten
Cover of the book Cold War Anthropology by Fred Moten
Cover of the book We Are All Equal by Fred Moten
Cover of the book River of Tears by Fred Moten
Cover of the book Seven Faces by Fred Moten
Cover of the book Creativity and Its Discontents by Fred Moten
Cover of the book Crisis and Capitalism in Contemporary Argentine Cinema by Fred Moten
Cover of the book From Modern Production to Imagined Primitive by Fred Moten
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy