Black Lives Matter and Music

Protest, Intervention, Reflection

Nonfiction, Entertainment, Music, Theory & Criticism, Ethnomusicology, Social & Cultural Studies, Social Science, Cultural Studies, African-American Studies
Cover of the book Black Lives Matter and Music by , Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780253038456
Publisher: Indiana University Press Publication: August 10, 2018
Imprint: Indiana University Press Language: English
Author:
ISBN: 9780253038456
Publisher: Indiana University Press
Publication: August 10, 2018
Imprint: Indiana University Press
Language: English

Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar’s "Alright," J. Cole’s "Be Free," D’Angelo and the Vanguard's "The Charade," The Game’s "Don’t Shoot," Janelle Monae’s "Hell You Talmbout," Usher’s "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In this collection of critical studies, contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar’s "Alright," J. Cole’s "Be Free," D’Angelo and the Vanguard's "The Charade," The Game’s "Don’t Shoot," Janelle Monae’s "Hell You Talmbout," Usher’s "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In this collection of critical studies, contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.

More books from Indiana University Press

Cover of the book Troubled Geographies by
Cover of the book Russian Civil-Military Relations by
Cover of the book Fossils of the Carpathian Region by
Cover of the book Climate Change in the Midwest by
Cover of the book Performing al-Andalus by
Cover of the book Transition 111 by
Cover of the book Sexual Behavior in the Human Female by
Cover of the book Secularism Soviet Style by
Cover of the book Meantone Temperaments on Lutes and Viols by
Cover of the book Funeral Culture by
Cover of the book Popobawa by
Cover of the book French Cinema—A Critical Filmography by
Cover of the book Colonial Culture in France since the Revolution by
Cover of the book The Spiritual Journals of Warren Felt Evans by
Cover of the book Trans-Appalachian Frontier, Third Edition by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy