Black Post-Blackness

The Black Arts Movement and Twenty-First-Century Aesthetics

Fiction & Literature, Literary Theory & Criticism, Black, Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, African-American Studies
Cover of the book Black Post-Blackness by Margo Natalie Crawford, University of Illinois Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Margo Natalie Crawford ISBN: 9780252099557
Publisher: University of Illinois Press Publication: May 12, 2017
Imprint: University of Illinois Press Language: English
Author: Margo Natalie Crawford
ISBN: 9780252099557
Publisher: University of Illinois Press
Publication: May 12, 2017
Imprint: University of Illinois Press
Language: English

A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic.

More books from University of Illinois Press

Cover of the book Building Womanist Coalitions by Margo Natalie Crawford
Cover of the book George Szell's Reign by Margo Natalie Crawford
Cover of the book Ladies of the Ticker by Margo Natalie Crawford
Cover of the book The Labor of Care by Margo Natalie Crawford
Cover of the book Spirituals and the Birth of a Black Entertainment Industry by Margo Natalie Crawford
Cover of the book Mere and Easy by Margo Natalie Crawford
Cover of the book Creating the Land of Lincoln by Margo Natalie Crawford
Cover of the book Noodle Soup by Margo Natalie Crawford
Cover of the book Colored No More by Margo Natalie Crawford
Cover of the book Storytelling in Siberia by Margo Natalie Crawford
Cover of the book Wired into Nature by Margo Natalie Crawford
Cover of the book Peggy Seeger by Margo Natalie Crawford
Cover of the book Beyond Respectability by Margo Natalie Crawford
Cover of the book Cristi Puiu by Margo Natalie Crawford
Cover of the book Chicago's Grand Midway by Margo Natalie Crawford
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy