Blood Image

Turner Ashby in the Civil War and the Southern Mind

Nonfiction, History, Americas, United States, Civil War Period (1850-1877)
Cover of the book Blood Image by Paul Christopher Anderson, LSU Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Paul Christopher Anderson ISBN: 9780807152362
Publisher: LSU Press Publication: March 21, 2006
Imprint: LSU Press Language: English
Author: Paul Christopher Anderson
ISBN: 9780807152362
Publisher: LSU Press
Publication: March 21, 2006
Imprint: LSU Press
Language: English

With Blood Image, Paul Anderson shows that the symbol of a man can be just as important as the man himself. Turner Ashby was one of the most famous fighting men of the Civil War. Rising to colonel of the 7th Virginia Cavalry, Ashby fought brilliantly under Thomas J. "Stonewall" Jackson during the 1862 Shenandoah Valley campaign until he died in battle. Anderson demonstrates that Ashby's image -- a catalytic, mesmerizing, and often contradictory combination of southern antebellum cultural ideals and wartime hopes and fears -- emerged during his own lifetime and was not a later creation of the Lost Cause. The stylistic synergy of Anderson's startling narrative design fuels a poignant irony: men like Ashby -- a chivalrous, charismatic "knight" who had difficulty complying with Stonewall Jackson's authority -- become trapped by the desire to have their real lives reflect their imagined ones.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

With Blood Image, Paul Anderson shows that the symbol of a man can be just as important as the man himself. Turner Ashby was one of the most famous fighting men of the Civil War. Rising to colonel of the 7th Virginia Cavalry, Ashby fought brilliantly under Thomas J. "Stonewall" Jackson during the 1862 Shenandoah Valley campaign until he died in battle. Anderson demonstrates that Ashby's image -- a catalytic, mesmerizing, and often contradictory combination of southern antebellum cultural ideals and wartime hopes and fears -- emerged during his own lifetime and was not a later creation of the Lost Cause. The stylistic synergy of Anderson's startling narrative design fuels a poignant irony: men like Ashby -- a chivalrous, charismatic "knight" who had difficulty complying with Stonewall Jackson's authority -- become trapped by the desire to have their real lives reflect their imagined ones.

More books from LSU Press

Cover of the book Origins of the New South, 1877–1913 by Paul Christopher Anderson
Cover of the book Emancipating New York by Paul Christopher Anderson
Cover of the book The Kingfish and His Realm by Paul Christopher Anderson
Cover of the book Voices from Louisiana by Paul Christopher Anderson
Cover of the book Treating the Trauma of the Great War by Paul Christopher Anderson
Cover of the book Lincoln and Citizens' Rights in Civil War Missouri by Paul Christopher Anderson
Cover of the book Impossible Bottle by Paul Christopher Anderson
Cover of the book The Pride of the Confederate Artillery by Paul Christopher Anderson
Cover of the book If I Could Turn My Tongue Like That by Paul Christopher Anderson
Cover of the book The Bone Lady by Paul Christopher Anderson
Cover of the book The Cemeteries of New Orleans by Paul Christopher Anderson
Cover of the book Designing in Ivory and White by Paul Christopher Anderson
Cover of the book Ledger of Crossroads by Paul Christopher Anderson
Cover of the book Slavery, Civil War, and Salvation by Paul Christopher Anderson
Cover of the book Apocalypse and the Millennium in the American Civil War Era by Paul Christopher Anderson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy