G Chesterton: 442 books

“Let me begin my American impressions with two impressions I had before I went to America. One was an incident and the other an idea; and when taken together they illustrate the attitude I mean. The first principle is that nobody should be ashamed of thinking a thing funny because it is foreign;...

Gilbert Keith Chesterton (1874-1936) was born in London, educated at St. Paul’s, and went to art school at University College London. In 1900, he was asked to contribute a few magazine articles on art criticism, and went on to become one of the most prolific writers of all time. This short writing deals with the European national and political dynamics before WWI. (Excerpt from Goodreads)

"The Wisdom of Father Brown" is the second in a series of Gilbert K. Chesterton's much-loved Father Brown mystery short story collections. In this volume are the following twelve tales: The Absence of Mr. Glass, The Paradise of Thieves, The Duel of Dr. Hirsch, The Man in the Passage, The Mistake of the...

Covering topics ranging from literature to philosophy, history to social criticism, this is a snapshot of thought on 20th-century Europe (and the world) by one of Europe's sharpest wits and ablest pens. With chapter titles ranging from “The Miser and His Friends” to “The Red Reactionary,” from...

In the aptly titled treatise What's Wrong With the World, one of the twentieth century's most memorable and prolific writers takes on education, government, big business, feminism, and a host of other topics. A steadfast champion of the working man, family, and faith, Chesterton eloquently opposed...

Another delightful and sharply pointed excursion into the topics of the day, and of this day as well, with Gilbert Keith Chesterton. These reprinted magazine articles are filled with his good natured wit, his masterful use of paradox, and devastating ability to use reductio ad absurdum to destroy...

This early biography is both expensive and hard to find in its first edition. Chesterton provides a detailed and meticulous biography of the English farmer and journalist who lived between 1763 and 1835. This book is a fascinating read for any social or political historian. Contents: The Revival of...

An engaging work sure to appeal to both scholars and students for the depth of its thought and the freshness of its claims, this is a two-part book by one of the 20th century's greatest writers. The first part is a coherent analysis of the theory, effects, and claims of capitalism. The second is a...

What is it that angers Chesterton and fills him with grim forebodings for the future of his island? Many things and, especially, many persons. But chiefly the capitalists, the upper middle class, the usurers, or however they be termed, and the fear of the servile state, the state in which art and...

As an advocate of Distributism, an early 20th-century school of social thought developed by the author and his colleagues, Chesterton addresses the topics of concentration of wealth, poverty, work, agriculture, machinery, and capital in this famous work. He favored distribution of wealth while being...

A unique collection of essays by one of the literary geniuses of the past hundred years, edited by none other than the award-winning Argentinian writer, Alberto Manguel. Alberoused to "read books to Nobel Laureate Jorge Luis Borges in hisltter years. Borges sai o Chesterton: see Author bio  

In 1902 the ever-provocative Chesterton published Twelve Types, a collection of short biographies of famous figures from history. In 1910 he winnowed the table of contents to a mere five: “The Optimism of Byron,” “Pope and the Art of Satire,” “Stevenson,” “Rostand,” and “Charles II.”

En el hombre que fue jueves se han reunido dos grandes escritores, Gilbert Keith Chesterton, uno de los novelistas ingleses más originales, y el mexicano Alfonso Reyes, quien hizo la traducción y el prólogo de esta divertidísima historia de aventuras, enredo, intriga y suspenso. A lo largo de...

Chesterton's classic three-act fantasy play. This play was originally presented under the management of Kenelm Foss at The Little Theatre, London, on November 7, 1913.