Currency imprint: 288 books

‘*Away was a revelation. For here was an Australian play set in the summer of 1967-68 that was truthful, fantastical, satirical and deeply touching. The characters were immediately recognisable and grounded in reality yet Gow’s quest opened up its claustrophobic, flawed, bittersweet domestic terrain...

Patricia Cornelius’ *SHIT is rife with ugliness. Billy, Bobby and Sam speak with the voices of those who’ve survived foster care, institutionalisation, and neglect. They love no-one and no-one loves them. They believe the world is shit, that their lives are shit, that they are shit. Winner of...

Explores themes of friendship, bullying, mental illness, and the hierarchy of the schoolyard. Sebastian is a terminally unpopular fifteen-year-old suburban kid, with an overactive imagination and an obsession with anime and death. His only friend, Claryssa, is an emo Wiccan art-freak barely...

David Williams acclaimed documentary theatre maker, writer and football fanatic is the ‘Smurf’. For the uninitiated, ‘Smurf’ is the nickname given to a Sydney Football Club fan.

Anna Barnes’ MinusOneSister is a contemporary retelling of Sophocles’ classic tragedy, Electra. The teenage siblings take the stage, and loyalties are challenged as each confronts their own grief and guilt. Barnes challenges patterns of blame that persist today when dealing with violence and sexuality....

In 2010, the Guardian named Melbourne critic Alison Croggon as a ‘must read’ critic. She was the first online critic to be awarded the Geraldine Pascall Critic of the Year, in 2009. Her blog Theatre Notes was the first theatre blog in Australia and, over its eight years of existence, made Croggon...

Three lost children discover an abandoned orphanage in the bush and become trapped in a timeless world, haunted by spirits of the past and tormented by the ominous Black Skirt, a cruel governess harbouring a mysterious past. The children begin to listen to the stories of the restless spirits of other...

A woman leaves her children for an evening to go to a nightclub. In a moment of indecision she glances back, slips and falls. Money, desire and dreams converge as she enters a surreal world of haunting colours and lyrical distortions.

Gwen is 90. She woke up this morning to discover that purgatory is sitting alone in a new house in a new subdivision on the edge of town, trying to work out if the remote in her hand operates the TV, the air-con or the fanforced oven. But the kids are coming round and Father Ezekiel is on his way...

From one of Australia’s most successful comedians comes *The Cheeky Monkey, a practitioner’s guide to the art of comedy writing. Both insightful and practical, The Cheeky Monkey explains the principles of sitcom writing and guides the reader in how to apply them. Seeded with exercises to aid the...

Katherine Thomson’s story about aspiration and reinvention is one of the great Australian plays. Set in Wollongong during the economic rationalism of the late 80s, *Diving for Pearls remains startlingly relevant—the political decisions of that time planted the seeds of divide we continue to witness...

Munarra is a black woman, thrown from the skies into the Dreaming so that she may heal her land, the mighty river Dhungula and her people. In the present day, the Yorta Yorta people are in court, fighting for a right to their land. Yanagai! Yanagai! is a war cry, the first recorded Yorta Yorta words...

Ned Kelly is about to hang for his crimes. But his final night in prison is interrupted by the arrival of his brother Dan, disguised as a priest. Supposedly killed at the Siege of Glenrowan, Dan is intent on moving north to Queensland and forgetting his past. To do so, he needs Ned’s blessing and...

Andreas Litras’ remarkable one-hander play *Odyssey interweaves three narratives: Homer’s Odyssey, the ancient tale, provides the template for an enactment of Litras’ parents’, Angelo and Paraskevi’s migration to Australia; and the performer’s personal search for a sense of identity and...