Maria Peitcheva: 161 books

Charles Henry Buckius Demuth (1883 – 1935) was an American watercolorist who turned to oils late in his career, developing a style of painting known as Precisionism. Demuth was a lifelong resident of Lancaster, Pennsylvania. He graduated from Franklin & Marshall Academy before studying at Drexel...

Anders Zorn was one of Sweden’s foremost artists who obtained international success as a painter, sculptor and printmaker in etching. His incisive ability to depict the individual character of his model is famous. The model's surroundings were important; Zorn believed that a portrait should be painted...

Francesco Lazzaro Guardi (1712 – 1793) was a Venetian painter of veduta (a highly detailed, usually large-scale painting or, actually more often print, of a cityscape or some other vista), a member of the Venetian School. His early vedutas show influence both from Canaletto and Luca Carlevarijs....

With his signature graphic style, embrace of figural distortion, and bold defiance of conventional norms of beauty, Egon Schiele was one of the leading figures of Austrian Expressionism. He was an Austrian painter, a protégé of Gustav Klimt and important figurative painter of the early 20th century....

Lucas Cranach the Elder (1472 – 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and those of the leaders of the Protestant Reformation, whose...

The highlights of this book are the 85 color plates of Prud'hon's academic figure drawings, or "acadamies" as they are known. These drawings dignified and stunningly beautiful. Unfortunately, Prud'hon's drawing techniques have been lost and there is no definitive work describing how they...

Paul Cézanne was the leading figure in the revolution toward abstraction in modern painting. His influence on the course of modern art, particularly on the development of cubism, is enormous and deep. In his early career, he was strongly influenced by Delacroix and Courbet. Through Pissarro, Cezanne...

Arthur Rackham (1867 – 1939) was an English book illustrator. He is widely regarded as one of the leading illustrators from the 'Golden Age' of British book illustration which roughly encompassed the years from 1890 until the end of the First World War. During that period, there was a strong market...

Charles Henry Buckius Demuth (1883 – 1935) was an American watercolorist who turned to oils late in his career, developing a style of painting known as Precisionism. Demuth was a lifelong resident of Lancaster, Pennsylvania. He graduated from Franklin & Marshall Academy before studying at Drexel...

Jacob Jordaens was one of three Flemish Baroque painters, along with Peter Paul Rubens and Anthony van Dyck, to bring prestige to the Antwerp school of painting. Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died — he was the most...

William Blake was English artist, draughtsman, engraver, philosopher, and poet, one of the most remarkable figures of the Romantic period. In art as in life Blake was an individualist who made a principle of nonconformity. He had a prejudice against painting in oils on canvas and experimented with...

Giovanni Boldini was known as the "Master of Swish" because of his flowing style of painting. His paintings and drawings showed his subject in soft-focus, elongated, in movement, alive, and sophisticated. He painted mostly portraits and also landscapes in the naturalistic style of his day,...

Ingres's style was formed early in life and changed comparatively little. His earliest drawings, such as the Portrait of a Man (1797) already show a suavity of outline and an extraordinary control of the parallel hatchings which model the forms. His portrait drawings, of which about 450 are extant,...

Giovanni Antonio Canal, better known as Canaletto, was an Italian painter of landscapes of Venice. He was also an important printmaker in etching. Much of Canaletto's early artwork was painted "from nature", differing from the then customary practice of completing paintings in the studio....