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Umberto Boccioni was an prominent Italian painter and sculptor who helped shape the innovative aesthetic of the Futurism movement as one of its most important representatives. Despite his short life, his approach to the dynamism of form and the deconstruction of solid mass guided artists long after his...

Giovanni Boldini enjoyed a long and successful artistic career. According to a 1933 article in Time magazine, he was known as the "Master of Swish" because of his flowing style of painting. His paintings showed his subject in soft-focus, elongated, in movement, alive, and sophisticated. The brush work...

An important Post-Impressionist French painter, Georges Seurat moved away from the apparent spontaneity and rapidity of Impressionism and developed a structured, more monumental art to depict modern urban life. Seurat studied avant-garde painting techniques, especially Impressionism and the latest scientific...

Alphonse Maria Mucha was a Czech Art Nouveau painter and decorative artist, known best for his distinctive style. He produced many drawings, paintings, illustrations, advertisements, postcards, and designs. The Mucha Style became known as Art Nouveau ("new art"). Mucha's works frequently featured beautiful...

Frans Hals the Elder is notable for his loose painterly brushwork, and helped introduce this lively style of painting into Dutch art. Hals was also instrumental in the evolution of 17th century group portraiture. He was a master of a technique that utilized something previously seen as a flaw in painting,...

John Constable was English painter, ranked with Turner as one of the greatest British landscape artists. After spending some years working in the Picturesque tradition of landscape and the manner of Gainsborough, Constable developed his own original treatment from the attempt to render scenery more directly...

Hieronymus Bosch was an Netherlandish painter of the fifteenth and sixteenth centuries. Many of his works depict sin and human moral failings. Bosch used images of demons, half-human animals and machines to evoke fear and confusion to portray the evil of man. His works contain complex, highly original,...

William Blake was English artist, draftsman, engraver, philosopher, and poet, one of the most remarkable figures of the Romantic period. In art as in life Blake was an individualist who made a principle of nonconformity. He had a prejudice against painting in oils on canvas and experimented with a variety...

Anders Zorn was one of Sweden’s foremost artists who obtained international success as a painter, sculptor and printmaker in etching. His incisive ability to depict the individual character of his model is famous. The model's surroundings were important; Zorn believed that a portrait should be painted...

This Art Book with Foreword by Narim Bender contains 80 selected reproductions of drawings from Henry Fuseli.Henry Fuseli is famous for his paintings and drawings of nude figures caught in strained and violent poses suggestive of intense emotion. He also had a affinity for inventing chilling fantasies....

Amedeo Modigliani was the essence of a tragic artist. He sketched furiously, sometimes drawing over 100 sketches in a day, but many of his works were lost, given away, or in some cases, destroyed by Modigliani himself. His favorite subject was by far the human form, painting the likenesses of other artists,...

Sir Edward Coley Burne-Jones, (1833 –1898) was a British artist and designer closely associated with the later phase of the Pre-Raphaelite movement. He was closely involved in the renewal of the tradition of stained glass art in Britain. In addition to painting and stained glass, Burne-Jones worked...

Jacques-Louis David was an influential French painter in the Neoclassical style. His history painting marked a change in taste away from Rococo frivolity toward a classical asceticism and severity, heightened feeling chiming with the moral climate of the final years of the Ancien Régime. He later became...

Vincent van Gogh drew thousands of images to better his style. He believed that drawing was “the root of everything” and completed over 1,000 drawings from 1877 to 1890. His drawings were mainly done in pencil, black chalk, red chalk, blue chalk, reed pen and charcoal on a variety of paper types...