Bowstring

On the Dissimilarity of the Similar

Fiction & Literature, Literary Theory & Criticism, European, Russian
Cover of the book Bowstring by Viktor Shklovsky, Dalkey Archive Press
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Author: Viktor Shklovsky ISBN: 9781564787095
Publisher: Dalkey Archive Press Publication: July 7, 2011
Imprint: Dalkey Archive Press Language: English
Author: Viktor Shklovsky
ISBN: 9781564787095
Publisher: Dalkey Archive Press
Publication: July 7, 2011
Imprint: Dalkey Archive Press
Language: English
“Myths do not flow through the pipes of history,” writes Viktor Shklovsky, “they change and splinter, they contrast and refute one another. The similar turns out to be dissimilar.” Published in Moscow in 1970 and appearing in English translation for the first time, Bowstring is a seminal work, in which Shklovsky redefines estrangement (ostranenie) as a device of the literary comparatist—the “person out of place,” who has turned up in a period where he does not belong and who must search for meaning with a strained sensibility. As Shklovsky experiments with different genres, employing a technique of textual montage, he mixes autobiography, biography, memoir, history, and literary criticism in a book that boldly refutes mechanical repetition, mediocrity, and cultural parochialism in the name of art that dares to be different and innovative. Bowstring is a brilliant and provocative book that spares no one in its unapologetic project to free art from conventionality.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
“Myths do not flow through the pipes of history,” writes Viktor Shklovsky, “they change and splinter, they contrast and refute one another. The similar turns out to be dissimilar.” Published in Moscow in 1970 and appearing in English translation for the first time, Bowstring is a seminal work, in which Shklovsky redefines estrangement (ostranenie) as a device of the literary comparatist—the “person out of place,” who has turned up in a period where he does not belong and who must search for meaning with a strained sensibility. As Shklovsky experiments with different genres, employing a technique of textual montage, he mixes autobiography, biography, memoir, history, and literary criticism in a book that boldly refutes mechanical repetition, mediocrity, and cultural parochialism in the name of art that dares to be different and innovative. Bowstring is a brilliant and provocative book that spares no one in its unapologetic project to free art from conventionality.

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