Brian Eno's Ambient 1: Music for Airports

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference
Cover of the book Brian Eno's Ambient 1: Music for Airports by John T. Lysaker, Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: John T. Lysaker ISBN: 9780190497323
Publisher: Oxford University Press Publication: November 19, 2018
Imprint: Oxford University Press Language: English
Author: John T. Lysaker
ISBN: 9780190497323
Publisher: Oxford University Press
Publication: November 19, 2018
Imprint: Oxford University Press
Language: English

Brian Eno's seminal album Ambient 1: Music for Airports continues to fascinate and charm audiences, not only as a masterpiece of ambient music, but as a powerful and transformative work of art. Author John T. Lysaker situates this album in the context of twentieth-century art music, where its ambitions and contributions to avant garde music practice become even more apparent. To appreciate the album's multifaceted character, Lysaker advocates for "prismatic listening," an attentiveness that continually shifts registers in the knowledge that no single approach can grasp the work as a whole. Exploring each of the album's four tracks and their unique sonic arrangements, Brian Eno's Ambient 1: Music for Airports argues that the album must be approached from at least three angles: as an ambient contribution to lived environments that draws upon cybernetics and the experiments of Erik Satie, as an exploration of what John Cage has termed the "activity of sounds," and as a work of conceptual art that asks us to think freshly about artistic creativity, listening, and the broad ecology of interactions that not only make art possible, but the full range of human meaning. If one listens in this way, Music for Airports becomes a sonic image that blurs the nature-culture distinction and rescues the most interesting concerns of avant-garde music from the social isolation of concert halls and performance spaces.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Brian Eno's seminal album Ambient 1: Music for Airports continues to fascinate and charm audiences, not only as a masterpiece of ambient music, but as a powerful and transformative work of art. Author John T. Lysaker situates this album in the context of twentieth-century art music, where its ambitions and contributions to avant garde music practice become even more apparent. To appreciate the album's multifaceted character, Lysaker advocates for "prismatic listening," an attentiveness that continually shifts registers in the knowledge that no single approach can grasp the work as a whole. Exploring each of the album's four tracks and their unique sonic arrangements, Brian Eno's Ambient 1: Music for Airports argues that the album must be approached from at least three angles: as an ambient contribution to lived environments that draws upon cybernetics and the experiments of Erik Satie, as an exploration of what John Cage has termed the "activity of sounds," and as a work of conceptual art that asks us to think freshly about artistic creativity, listening, and the broad ecology of interactions that not only make art possible, but the full range of human meaning. If one listens in this way, Music for Airports becomes a sonic image that blurs the nature-culture distinction and rescues the most interesting concerns of avant-garde music from the social isolation of concert halls and performance spaces.

More books from Oxford University Press

Cover of the book The Compleat Conductor by John T. Lysaker
Cover of the book The Vacant Chair by John T. Lysaker
Cover of the book Mastering Your Fears and Phobias by John T. Lysaker
Cover of the book Esau and Jacob by John T. Lysaker
Cover of the book Entrepreneurship and Economic Growth by John T. Lysaker
Cover of the book Dracula - With Audio Level 2 Oxford Bookworms Library by John T. Lysaker
Cover of the book If the Walls Could Speak by John T. Lysaker
Cover of the book Power and Feminist Agency in Capitalism by John T. Lysaker
Cover of the book Language Universals by John T. Lysaker
Cover of the book The Classical Tradition : Greek and Roman Influences on Western Literature by John T. Lysaker
Cover of the book The Living Constitution by John T. Lysaker
Cover of the book Complete Letters by John T. Lysaker
Cover of the book A Better Pencil by John T. Lysaker
Cover of the book The Siege of Washington by John T. Lysaker
Cover of the book Europe's Angry Muslims by John T. Lysaker
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy