Carnival in the Countryside

The History of the Iowa State Fair

Nonfiction, History, Americas, United States
Cover of the book Carnival in the Countryside by Chris Rasmussen, University of Iowa Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Chris Rasmussen ISBN: 9781609383589
Publisher: University of Iowa Press Publication: August 15, 2015
Imprint: University Of Iowa Press Language: English
Author: Chris Rasmussen
ISBN: 9781609383589
Publisher: University of Iowa Press
Publication: August 15, 2015
Imprint: University Of Iowa Press
Language: English

More than a century and a half after its founding, the Iowa State Fair is the state’s central institution, event, and symbol. New Jersey has the Shore; Kentucky has the Derby; Iowa has the Fair. The humble Iowa State Fairground ranks alongside the Great Pyramids at Giza and the Taj Mahal in the best-selling travel guide 1,000 Places to See Before You Die. During its annual run each August, the fair attracts hundreds of thousands of visitors who make the pilgrimage to the fairground to see the iconic butter cow, to ride the Old Mill, to walk through the livestock barns, and to people-watch. At the same time that they enjoy fried candy bars and roller coasters, Iowans also compete to raise the best corn and zucchinis, to make the best jams and jellies, to rear the finest sheep and goats, the largest cattle and hogs, and the handsomest horses.

This tension between entertainment and agriculture goes back all the way to the fair’s founding in the mid-1800s, as historian Chris Rasmussen shows in this thought-provoking history. The fair’s founders had lofty aims: they sought to improve agriculture and foster a distinctively democratic American civilization. But from the start these noble intentions jostled up against people’s desire to have fun and make money, honestly or otherwise—not least because the fair had to pay for itself. In their effort to uplift rural life without going broke, the organizers of the Iowa State Fair debated the respectability of horse racing and gambling and struggled to find qualified livestock judges. Worried about the economic forces undermining rural families, they ran competitions to select the best babies and the “ideal” rural girl and boy while luring spectators with massive panoramas of earthquakes and fires, not to mention staged trainwrecks. In short, the Iowa State Fair has as much to tell us about human nature and American history as it does about growing corn.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

More than a century and a half after its founding, the Iowa State Fair is the state’s central institution, event, and symbol. New Jersey has the Shore; Kentucky has the Derby; Iowa has the Fair. The humble Iowa State Fairground ranks alongside the Great Pyramids at Giza and the Taj Mahal in the best-selling travel guide 1,000 Places to See Before You Die. During its annual run each August, the fair attracts hundreds of thousands of visitors who make the pilgrimage to the fairground to see the iconic butter cow, to ride the Old Mill, to walk through the livestock barns, and to people-watch. At the same time that they enjoy fried candy bars and roller coasters, Iowans also compete to raise the best corn and zucchinis, to make the best jams and jellies, to rear the finest sheep and goats, the largest cattle and hogs, and the handsomest horses.

This tension between entertainment and agriculture goes back all the way to the fair’s founding in the mid-1800s, as historian Chris Rasmussen shows in this thought-provoking history. The fair’s founders had lofty aims: they sought to improve agriculture and foster a distinctively democratic American civilization. But from the start these noble intentions jostled up against people’s desire to have fun and make money, honestly or otherwise—not least because the fair had to pay for itself. In their effort to uplift rural life without going broke, the organizers of the Iowa State Fair debated the respectability of horse racing and gambling and struggled to find qualified livestock judges. Worried about the economic forces undermining rural families, they ran competitions to select the best babies and the “ideal” rural girl and boy while luring spectators with massive panoramas of earthquakes and fires, not to mention staged trainwrecks. In short, the Iowa State Fair has as much to tell us about human nature and American history as it does about growing corn.

More books from University of Iowa Press

Cover of the book Rows of Memory by Chris Rasmussen
Cover of the book Congotronic by Chris Rasmussen
Cover of the book Running to the Fire by Chris Rasmussen
Cover of the book The Sacred Cause of Union by Chris Rasmussen
Cover of the book Mary Jane's Ghost by Chris Rasmussen
Cover of the book After the Program Era by Chris Rasmussen
Cover of the book The Small-Town Midwest by Chris Rasmussen
Cover of the book Social Responsibilities of the Businessman by Chris Rasmussen
Cover of the book Questions of Poetics by Chris Rasmussen
Cover of the book Trespasses by Chris Rasmussen
Cover of the book The Messenger by Chris Rasmussen
Cover of the book Performing Whitely in the Postcolony by Chris Rasmussen
Cover of the book Traveler, There Is No Road by Chris Rasmussen
Cover of the book Up in Here by Chris Rasmussen
Cover of the book James Weldon Johnson's Modern Soundscapes by Chris Rasmussen
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy