Cattle of the Lord

Poems

Nonfiction, Entertainment, Drama, Continental European, Fiction & Literature, Poetry
Cover of the book Cattle of the Lord by Rosa Elise Branco, Milkweed Editions
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Author: Rosa Elise Branco ISBN: 9781571319456
Publisher: Milkweed Editions Publication: December 13, 2016
Imprint: Milkweed Editions Language: English
Author: Rosa Elise Branco
ISBN: 9781571319456
Publisher: Milkweed Editions
Publication: December 13, 2016
Imprint: Milkweed Editions
Language: English
Love. Sex. Death. Meat. Traffic. Pets. In Cattle of the Lord, Rosa Alice Branco offers a stunning poetic vision at once sacred and profane, a rich evocation of daily life troubled by uneasy sacramentality.

In a collection translated by Alexis Levitin and presented in both Portuguese and English, readers find themselves in a world turned upside down: darkly comic, sensual, and rife with contradiction. Here, liturgical words become lovers’ invitations. Cows moo at the heavens. And chickens are lessons on the resurrection.

Over the course of the collection, Branco’s unorthodox — even blasphemous — religious sensibility yields something ultimately hopeful: a belief that the physical, the quotidian, and the animalistic are holy, too. Writing at the boundaries of sense and mystification, combining sensuous lyrics and wit with theological interrogation, Branco breaks down what we think we know about religion, faith, and what it means to be human.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Love. Sex. Death. Meat. Traffic. Pets. In Cattle of the Lord, Rosa Alice Branco offers a stunning poetic vision at once sacred and profane, a rich evocation of daily life troubled by uneasy sacramentality.

In a collection translated by Alexis Levitin and presented in both Portuguese and English, readers find themselves in a world turned upside down: darkly comic, sensual, and rife with contradiction. Here, liturgical words become lovers’ invitations. Cows moo at the heavens. And chickens are lessons on the resurrection.

Over the course of the collection, Branco’s unorthodox — even blasphemous — religious sensibility yields something ultimately hopeful: a belief that the physical, the quotidian, and the animalistic are holy, too. Writing at the boundaries of sense and mystification, combining sensuous lyrics and wit with theological interrogation, Branco breaks down what we think we know about religion, faith, and what it means to be human.

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