Characteristics of Negro Expression

Fiction & Literature, Literary Theory & Criticism
Cover of the book Characteristics of Negro Expression by Mercedes Aguirre, Benjamin Lempert, Macat Library
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mercedes Aguirre, Benjamin Lempert ISBN: 9781351352062
Publisher: Macat Library Publication: July 5, 2017
Imprint: Macat Library Language: English
Author: Mercedes Aguirre, Benjamin Lempert
ISBN: 9781351352062
Publisher: Macat Library
Publication: July 5, 2017
Imprint: Macat Library
Language: English

A critical analysis of African-American novelist and anthropologist Zora Neale Hurston' 1934 essay Characteristics of Negro Expression: A crushing evaluation of the many racial prejudices of 1930s America, including a common presumption that African American art was unoriginal – merely poorly copying white culture.

Hurston’s approach and premises may seem in many ways dated to modern readers, but the essay still shows an incisive mind carefully evaluating arguments and cutting them down to size. African-American art of the time did not – Hurston influentially argued – play by the same rules as white art, so it could not meaningfully be discussed by ‘white’ notions of aesthetic value.

Where white European tradition views art as something fixed, Hurston saw African-American art works as a distinctive form of mimicry, reshaping and altering the original object until it became something new and novel. In this way, she contended, African-American creative expression is a process that generates its own form of originality – turning borrowed material into something original and unique. By carefully evaluating the relevance of previous arguments, Hurston showed African American artistic expression in an entirely new light.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A critical analysis of African-American novelist and anthropologist Zora Neale Hurston' 1934 essay Characteristics of Negro Expression: A crushing evaluation of the many racial prejudices of 1930s America, including a common presumption that African American art was unoriginal – merely poorly copying white culture.

Hurston’s approach and premises may seem in many ways dated to modern readers, but the essay still shows an incisive mind carefully evaluating arguments and cutting them down to size. African-American art of the time did not – Hurston influentially argued – play by the same rules as white art, so it could not meaningfully be discussed by ‘white’ notions of aesthetic value.

Where white European tradition views art as something fixed, Hurston saw African-American art works as a distinctive form of mimicry, reshaping and altering the original object until it became something new and novel. In this way, she contended, African-American creative expression is a process that generates its own form of originality – turning borrowed material into something original and unique. By carefully evaluating the relevance of previous arguments, Hurston showed African American artistic expression in an entirely new light.

More books from Macat Library

Cover of the book Meditations on First Philosophy by Mercedes Aguirre, Benjamin Lempert
Cover of the book The Clash of Civilizations and the Remaking of World Order by Mercedes Aguirre, Benjamin Lempert
Cover of the book The True Believer by Mercedes Aguirre, Benjamin Lempert
Cover of the book A Vindication of the Rights of Woman by Mercedes Aguirre, Benjamin Lempert
Cover of the book An Image of Africa by Mercedes Aguirre, Benjamin Lempert
Cover of the book Bowling Alone by Mercedes Aguirre, Benjamin Lempert
Cover of the book Working Memory by Mercedes Aguirre, Benjamin Lempert
Cover of the book The King's Two Bodies by Mercedes Aguirre, Benjamin Lempert
Cover of the book Citizen and Subject by Mercedes Aguirre, Benjamin Lempert
Cover of the book The Prince by Mercedes Aguirre, Benjamin Lempert
Cover of the book Gaia by Mercedes Aguirre, Benjamin Lempert
Cover of the book Capitalism and Freedom by Mercedes Aguirre, Benjamin Lempert
Cover of the book Michel Foucault's What is an Author? by Mercedes Aguirre, Benjamin Lempert
Cover of the book Discipline and Punish by Mercedes Aguirre, Benjamin Lempert
Cover of the book Martin Buber's I and Thou by Mercedes Aguirre, Benjamin Lempert
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy