Chicano Poetry

A Response to Chaos

Fiction & Literature, Literary Theory & Criticism, American
Cover of the book Chicano Poetry by Juan Bruce-Novoa, University of Texas Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Juan Bruce-Novoa ISBN: 9780292762367
Publisher: University of Texas Press Publication: February 19, 2014
Imprint: University of Texas Press Language: English
Author: Juan Bruce-Novoa
ISBN: 9780292762367
Publisher: University of Texas Press
Publication: February 19, 2014
Imprint: University of Texas Press
Language: English

Alurista. Gary Soto. Bernice Zamora. José Montoya. These names, luminous to some, remain unknown to those who have not yet discovered the rich variety of late twentieth century Chicano poetry. With the flowering of the Chicano Movement in the mid-1960s came not only increased political awareness for many Mexican Americans but also a body of fine creative writing. Now the major voices of Chicano literature have begun to reach the wider audience they deserve. Bruce-Novoa's Chicano Poetry: A Response to Chaos—the first booklength critical study of Chicano poetry—examines the most significant works of a body of literature that has grown dramatically in size and importance in less than two decades. Here are insightful new readings of the major writings of Abelardo Delgado, Sergio Elizondo, Rodolfo Gonzales, Miguel Méndez, J. L. Navarro, Raúl Salinas, Ricardo Sánchez, and Tino Villanueva, as well as Alurista, Soto, Zamora, and Montoya. Close textual analyses of such important works as I Am Joaquín, Restless Serpents, and Floricanto en Aztlán enrich and deepen our understanding of their imagery, themes, structure, and meaning. Bruce-Novoa argues that Chicano poetry responds to the threat of loss, whether of hero, barrio, family, or tradition. Thus José Montoya elegizes a dead Pachuco in "El Louie," and Raúl Salinas laments the disappearance of a barrio in "A Trip through the Mind Jail." But this elegy at the heart of Chicano poetry is both lament and celebration, for it expresses the group's continuing vitality and strength. Common to twentieth-century poetry is the preoccupation with time, death, and alienation, and the work of Chicano poets—sometimes seen as outside the traditions of world literature—shares these concerns. Bruce-Novoa brilliantly defines both the unique and the universal in Chicano poetry.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Alurista. Gary Soto. Bernice Zamora. José Montoya. These names, luminous to some, remain unknown to those who have not yet discovered the rich variety of late twentieth century Chicano poetry. With the flowering of the Chicano Movement in the mid-1960s came not only increased political awareness for many Mexican Americans but also a body of fine creative writing. Now the major voices of Chicano literature have begun to reach the wider audience they deserve. Bruce-Novoa's Chicano Poetry: A Response to Chaos—the first booklength critical study of Chicano poetry—examines the most significant works of a body of literature that has grown dramatically in size and importance in less than two decades. Here are insightful new readings of the major writings of Abelardo Delgado, Sergio Elizondo, Rodolfo Gonzales, Miguel Méndez, J. L. Navarro, Raúl Salinas, Ricardo Sánchez, and Tino Villanueva, as well as Alurista, Soto, Zamora, and Montoya. Close textual analyses of such important works as I Am Joaquín, Restless Serpents, and Floricanto en Aztlán enrich and deepen our understanding of their imagery, themes, structure, and meaning. Bruce-Novoa argues that Chicano poetry responds to the threat of loss, whether of hero, barrio, family, or tradition. Thus José Montoya elegizes a dead Pachuco in "El Louie," and Raúl Salinas laments the disappearance of a barrio in "A Trip through the Mind Jail." But this elegy at the heart of Chicano poetry is both lament and celebration, for it expresses the group's continuing vitality and strength. Common to twentieth-century poetry is the preoccupation with time, death, and alienation, and the work of Chicano poets—sometimes seen as outside the traditions of world literature—shares these concerns. Bruce-Novoa brilliantly defines both the unique and the universal in Chicano poetry.

More books from University of Texas Press

Cover of the book Psychology of the Mexican by Juan Bruce-Novoa
Cover of the book A Dream of Arcadia by Juan Bruce-Novoa
Cover of the book Before Fidel by Juan Bruce-Novoa
Cover of the book On Anger by Juan Bruce-Novoa
Cover of the book Whiskey River (Take My Mind) by Juan Bruce-Novoa
Cover of the book William Goyen by Juan Bruce-Novoa
Cover of the book Coming Attractions by Juan Bruce-Novoa
Cover of the book Playas of the Great Plains by Juan Bruce-Novoa
Cover of the book Forgetting the Alamo, Or, Blood Memory by Juan Bruce-Novoa
Cover of the book Wildflowers and Other Plants of Texas Beaches and Islands by Juan Bruce-Novoa
Cover of the book The Development of the Inca State by Juan Bruce-Novoa
Cover of the book Israeli and Palestinian Postcards by Juan Bruce-Novoa
Cover of the book The Bow and the Lyre by Juan Bruce-Novoa
Cover of the book Ariel by Juan Bruce-Novoa
Cover of the book a dirty hand by Juan Bruce-Novoa
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy