Cindy Sherman

Another kind of monster

Nonfiction, Entertainment, Film, Screenwriting, Performing Arts
Cover of the book Cindy Sherman by Dahlia Schweitzer, Intellect Books Ltd
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Dahlia Schweitzer ISBN: 9781783202966
Publisher: Intellect Books Ltd Publication: March 24, 2014
Imprint: Intellect Language: English
Author: Dahlia Schweitzer
ISBN: 9781783202966
Publisher: Intellect Books Ltd
Publication: March 24, 2014
Imprint: Intellect
Language: English

One of the twentieth century’s most significant artists, Cindy Sherman has quietly uprooted conventional understandings of portraiture and art, questioning everything from identity to feminism. Critics around the world have taken Sherman’s photographs and extensively examined what lies underneath. However, little critical ink has been spilled on Sherman’s only film, Office Killer, a piece that plays a significant role both in Sherman’s body of work and in American art in the late twentieth century. Dahlia Schweitzer breaks the silence with her trenchant analysis of Office Killer and explores the film on a variety of levels, combating head-on the art world’s reluctance to discuss the movie and arguing instead that it is only through a close reading of the film that we can begin to appreciate the messages underlying all of Sherman’s work.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

One of the twentieth century’s most significant artists, Cindy Sherman has quietly uprooted conventional understandings of portraiture and art, questioning everything from identity to feminism. Critics around the world have taken Sherman’s photographs and extensively examined what lies underneath. However, little critical ink has been spilled on Sherman’s only film, Office Killer, a piece that plays a significant role both in Sherman’s body of work and in American art in the late twentieth century. Dahlia Schweitzer breaks the silence with her trenchant analysis of Office Killer and explores the film on a variety of levels, combating head-on the art world’s reluctance to discuss the movie and arguing instead that it is only through a close reading of the film that we can begin to appreciate the messages underlying all of Sherman’s work.

More books from Intellect Books Ltd

Cover of the book The Propaganda of Peace by Dahlia Schweitzer
Cover of the book Theatre, Time and Temporality: Melting Clocks and Snapped Elastics by Dahlia Schweitzer
Cover of the book The Designer by Dahlia Schweitzer
Cover of the book Memory, Space, Sound by Dahlia Schweitzer
Cover of the book Press Freedom and Pluralism in Europe by Dahlia Schweitzer
Cover of the book Fan Phenomena: Audrey Hepburn by Dahlia Schweitzer
Cover of the book The Art and Science of Documentation Management by Dahlia Schweitzer
Cover of the book World Film Locations: Dublin by Dahlia Schweitzer
Cover of the book Performative Materials in Architecture and Design by Dahlia Schweitzer
Cover of the book Computers and Typography 2 by Dahlia Schweitzer
Cover of the book Contemporary Irish Drama and Cultural Identity by Dahlia Schweitzer
Cover of the book Fan Phenomena: Buffy the Vampire Slayer by Dahlia Schweitzer
Cover of the book The Philadelphia Connection by Dahlia Schweitzer
Cover of the book The Artist as Culture Producer by Dahlia Schweitzer
Cover of the book The Search for Mind by Dahlia Schweitzer
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy