Cinema and Classical Texts

Apollo's New Light

Nonfiction, History, Ancient History, Fiction & Literature, Literary Theory & Criticism
Cover of the book Cinema and Classical Texts by Martin M. Winkler, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Martin M. Winkler ISBN: 9780511737435
Publisher: Cambridge University Press Publication: February 12, 2009
Imprint: Cambridge University Press Language: English
Author: Martin M. Winkler
ISBN: 9780511737435
Publisher: Cambridge University Press
Publication: February 12, 2009
Imprint: Cambridge University Press
Language: English

Apollo was the ancient god of light and the divine patron of the arts. He is therefore a fitting metaphor for cinematography, which is the modern art of writing with moving light. This book interprets films as visual texts and provides the first systematic theoretical and practical demonstration of the affinities between Greco-Roman literature and the cinema. It examines major themes from classical myth and history such as film portrayals of gods, exemplified by Apollo and the Muses; Oedipus, antiquity's most influential mythic-tragic hero; the question of heroism and patriotism in war; and the representation of women like Helen of Troy and Cleopatra as products of male desire and fantasy. Covering a wide range of European and American directors, genres and classical authors, this study provides an innovative perspective on the two disciplines of classics and cinema and demonstrates our most influential medium's unlimited range when it adapts ancient texts.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Apollo was the ancient god of light and the divine patron of the arts. He is therefore a fitting metaphor for cinematography, which is the modern art of writing with moving light. This book interprets films as visual texts and provides the first systematic theoretical and practical demonstration of the affinities between Greco-Roman literature and the cinema. It examines major themes from classical myth and history such as film portrayals of gods, exemplified by Apollo and the Muses; Oedipus, antiquity's most influential mythic-tragic hero; the question of heroism and patriotism in war; and the representation of women like Helen of Troy and Cleopatra as products of male desire and fantasy. Covering a wide range of European and American directors, genres and classical authors, this study provides an innovative perspective on the two disciplines of classics and cinema and demonstrates our most influential medium's unlimited range when it adapts ancient texts.

More books from Cambridge University Press

Cover of the book Opera in the Age of Rousseau by Martin M. Winkler
Cover of the book Anthropology, History, and Education by Martin M. Winkler
Cover of the book Principles of International Environmental Law by Martin M. Winkler
Cover of the book The God Relationship by Martin M. Winkler
Cover of the book Health Law by Martin M. Winkler
Cover of the book Resilience Engineering by Martin M. Winkler
Cover of the book Contention and the Dynamics of Inequality in Mexico, 1910–2010 by Martin M. Winkler
Cover of the book Research Methods and Statistics by Martin M. Winkler
Cover of the book Cause and Correlation in Biology by Martin M. Winkler
Cover of the book Globalization and Global Justice by Martin M. Winkler
Cover of the book Self-designations and Group Identity in the New Testament by Martin M. Winkler
Cover of the book Fundamentals of Medical Imaging by Martin M. Winkler
Cover of the book Arguments in Syntax and Semantics by Martin M. Winkler
Cover of the book The Sainte-Chapelle and the Construction of Sacral Monarchy by Martin M. Winkler
Cover of the book Imperfections in Crystalline Solids by Martin M. Winkler
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy