Cinema, Emergence, and the Films of Satyajit Ray

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Cinema, Emergence, and the Films of Satyajit Ray by Keya Ganguly, University of California Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Keya Ganguly ISBN: 9780520946040
Publisher: University of California Press Publication: June 8, 2010
Imprint: University of California Press Language: English
Author: Keya Ganguly
ISBN: 9780520946040
Publisher: University of California Press
Publication: June 8, 2010
Imprint: University of California Press
Language: English

Although revered as one of the world’s great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose contributions to world cinema remain unsurpassed. In this benchmark study, Keya Ganguly situates Ray’s work within the internationalist spirit of the twentieth century, arguing that his film experiments revive the category of political or "committed" art. She suggests that in their depictions of Indian life, Ray’s films intimate the sense of a radical future and document the capacity of the image to conceptualize a different world glimpsed in the remnants of a disappearing past.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Although revered as one of the world’s great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose contributions to world cinema remain unsurpassed. In this benchmark study, Keya Ganguly situates Ray’s work within the internationalist spirit of the twentieth century, arguing that his film experiments revive the category of political or "committed" art. She suggests that in their depictions of Indian life, Ray’s films intimate the sense of a radical future and document the capacity of the image to conceptualize a different world glimpsed in the remnants of a disappearing past.

More books from University of California Press

Cover of the book Kendo by Keya Ganguly
Cover of the book Between One and One Another by Keya Ganguly
Cover of the book Making Modern Meals by Keya Ganguly
Cover of the book Go West, Young Women! by Keya Ganguly
Cover of the book Three Kingdoms by Keya Ganguly
Cover of the book Field Guide to the Spiders of California and the Pacific Coast States by Keya Ganguly
Cover of the book 1995 by Keya Ganguly
Cover of the book Radio by Keya Ganguly
Cover of the book Solidarity Divided by Keya Ganguly
Cover of the book Evolution's Wedge by Keya Ganguly
Cover of the book Paisanos Chinos by Keya Ganguly
Cover of the book Dreams and Nightmares by Keya Ganguly
Cover of the book Parrots of the Wild by Keya Ganguly
Cover of the book Eurasian by Keya Ganguly
Cover of the book Pilgrim Stories by Keya Ganguly
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy