Cinemas and cinemagoing in wartime Britain, 1939–45

The utility dream palace

Nonfiction, History
Cover of the book Cinemas and cinemagoing in wartime Britain, 1939–45 by Richard Farmer, Manchester University Press
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Author: Richard Farmer ISBN: 9781784997809
Publisher: Manchester University Press Publication: June 24, 2016
Imprint: Manchester University Press Language: English
Author: Richard Farmer
ISBN: 9781784997809
Publisher: Manchester University Press
Publication: June 24, 2016
Imprint: Manchester University Press
Language: English

During the Second World War, the popularity and importance of the cinema in Britain was at its peak. In this groundbreaking book, Richard Farmer provides a social and cultural history of cinemas and cinemagoing in Britain between 1939 and 1945, and explores the impact that the war had on the places in which British people watched films. Although promising the possibility of escape from the hardships and terrors of wartime life, the cinema was so intimately woven into the fabric of British society that it could not itself escape the war. Drawing on a wealth of contemporary sources, and on the memories of wartime cinemagoers, Cinemagoing in wartime Britain, 1939-45 is the first book to offer an in-depth exploration of the impact that phenomena such as the black out, the blitz, food rationing, evacuation and conscription had on both the exhibition industry and the experiences of the picturegoers themselves.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

During the Second World War, the popularity and importance of the cinema in Britain was at its peak. In this groundbreaking book, Richard Farmer provides a social and cultural history of cinemas and cinemagoing in Britain between 1939 and 1945, and explores the impact that the war had on the places in which British people watched films. Although promising the possibility of escape from the hardships and terrors of wartime life, the cinema was so intimately woven into the fabric of British society that it could not itself escape the war. Drawing on a wealth of contemporary sources, and on the memories of wartime cinemagoers, Cinemagoing in wartime Britain, 1939-45 is the first book to offer an in-depth exploration of the impact that phenomena such as the black out, the blitz, food rationing, evacuation and conscription had on both the exhibition industry and the experiences of the picturegoers themselves.

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