Cinematic Chronotopes

Here, Now, Me

Nonfiction, Entertainment, Performing Arts, Film, Social & Cultural Studies, Social Science
Cover of the book Cinematic Chronotopes by Pepita Hesselberth, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Pepita Hesselberth ISBN: 9781623566470
Publisher: Bloomsbury Publishing Publication: June 19, 2014
Imprint: Bloomsbury Academic Language: English
Author: Pepita Hesselberth
ISBN: 9781623566470
Publisher: Bloomsbury Publishing
Publication: June 19, 2014
Imprint: Bloomsbury Academic
Language: English

The site of cinema is on the move. The extent to which technologically mediated sounds and images continue to be experienced as cinematic today is largely dependent on the intensified sense of being 'here,' 'now' and 'me' that they convey. This intensification is fundamentally rooted in the cinematic's potential to intensify our experience of time, to convey time's thickening, of which the sense of place, and a sense of self-presence are the correlatives. In this study, Pepita Hesselberth traces this thickening of time across four different spatio-temporal configurations of the cinematic: a multi-media exhibition featuring the work of Andy Warhol (1928-1987); the handheld aesthetics of European art-house films; a large-scale media installation by Rafael Lozano-Hemmer; and the usage of the trope of the flash-forward in mainstream Hollywood cinema. Only by juxtaposing these cases by looking at what they have in common, this study argues, can we grasp the complexity of the changes that the cinematic is currently undergoing.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The site of cinema is on the move. The extent to which technologically mediated sounds and images continue to be experienced as cinematic today is largely dependent on the intensified sense of being 'here,' 'now' and 'me' that they convey. This intensification is fundamentally rooted in the cinematic's potential to intensify our experience of time, to convey time's thickening, of which the sense of place, and a sense of self-presence are the correlatives. In this study, Pepita Hesselberth traces this thickening of time across four different spatio-temporal configurations of the cinematic: a multi-media exhibition featuring the work of Andy Warhol (1928-1987); the handheld aesthetics of European art-house films; a large-scale media installation by Rafael Lozano-Hemmer; and the usage of the trope of the flash-forward in mainstream Hollywood cinema. Only by juxtaposing these cases by looking at what they have in common, this study argues, can we grasp the complexity of the changes that the cinematic is currently undergoing.

More books from Bloomsbury Publishing

Cover of the book Billy Ruffian by Pepita Hesselberth
Cover of the book The Rootes Group by Pepita Hesselberth
Cover of the book The Plays of Euripides by Pepita Hesselberth
Cover of the book Simon Thorn and the Viper's Pit by Pepita Hesselberth
Cover of the book Into the World of the New Testament by Pepita Hesselberth
Cover of the book Outrunning the Demons by Pepita Hesselberth
Cover of the book Canidia, Rome’s First Witch by Pepita Hesselberth
Cover of the book The Bloomsbury Companion to the Philosophy of Science by Pepita Hesselberth
Cover of the book The Magistrate's Tale by Pepita Hesselberth
Cover of the book Technology and Innovation for Sustainable Development by Pepita Hesselberth
Cover of the book Yikes, Santa-CLAWS! by Pepita Hesselberth
Cover of the book The Rolling Stone by Pepita Hesselberth
Cover of the book Field Guide to the Dragonflies of Britain and Europe: 2nd edition by Pepita Hesselberth
Cover of the book The Mannerheim Line 1920–39 by Pepita Hesselberth
Cover of the book Notre Dame High School, Norwich by Pepita Hesselberth
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy