Circulations in the Global History of Art

Nonfiction, Art & Architecture, General Art, Art History
Cover of the book Circulations in the Global History of Art by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781317166146
Publisher: Taylor and Francis Publication: March 3, 2016
Imprint: Routledge Language: English
Author:
ISBN: 9781317166146
Publisher: Taylor and Francis
Publication: March 3, 2016
Imprint: Routledge
Language: English

The project of global art history calls for balanced treatment of artifacts and a unified approach. This volume emphasizes questions of transcultural encounters and exchanges as circulations. It presents a strategy that highlights the processes and connections among cultures, and also responds to the dynamics at work in the current globalized art world. The editors’ introduction provides an account of the historical background to this approach to global art history, stresses the inseparable bond of theory and practice, and suggests a revaluation of materialist historicism as an underlying premise. Individual contributions to the book provide an overview of current reflection and research on issues of circulation in relation to global art history and the globalization of art past and present. They offer a variety of methods and approaches to the treatment of different periods, regions, and objects, surveying both questions of historiography and methodology and presenting individual case studies. An 'Afterword' by James Elkins gives a critique of the present project. The book thus deliberately leaves discussion open, inviting future responses to the large questions it poses.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The project of global art history calls for balanced treatment of artifacts and a unified approach. This volume emphasizes questions of transcultural encounters and exchanges as circulations. It presents a strategy that highlights the processes and connections among cultures, and also responds to the dynamics at work in the current globalized art world. The editors’ introduction provides an account of the historical background to this approach to global art history, stresses the inseparable bond of theory and practice, and suggests a revaluation of materialist historicism as an underlying premise. Individual contributions to the book provide an overview of current reflection and research on issues of circulation in relation to global art history and the globalization of art past and present. They offer a variety of methods and approaches to the treatment of different periods, regions, and objects, surveying both questions of historiography and methodology and presenting individual case studies. An 'Afterword' by James Elkins gives a critique of the present project. The book thus deliberately leaves discussion open, inviting future responses to the large questions it poses.

More books from Taylor and Francis

Cover of the book Guide to the Presidency by
Cover of the book HIV/AIDS and the Drug Culture by
Cover of the book Risk: Philosophical Perspectives by
Cover of the book Local Societies in Bronze Age Northern Europe by
Cover of the book Literary Studies by
Cover of the book Intersectionality and Beyond by
Cover of the book Contemporary Perspectives on the Detection, Investigation and Prosecution of Art Crime by
Cover of the book Origins and Doctrine of Fascism by
Cover of the book Cyberspace Law by
Cover of the book Pierre Bourdieu and Physical Culture by
Cover of the book Bronze Age Economics by
Cover of the book James Joyce by
Cover of the book Thomas Hardy Remembered by
Cover of the book Gender and Well-Being by
Cover of the book Reality and Accounting by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy