Colonial Cinema in Africa

Origins, Images, Audiences

Nonfiction, History, World History, Entertainment, Performing Arts, Film
Cover of the book Colonial Cinema in Africa by Glenn Reynolds, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Glenn Reynolds ISBN: 9781476620541
Publisher: McFarland & Company, Inc., Publishers Publication: June 8, 2015
Imprint: Language: English
Author: Glenn Reynolds
ISBN: 9781476620541
Publisher: McFarland & Company, Inc., Publishers
Publication: June 8, 2015
Imprint:
Language: English

In recent decades historians and film scholars have intensified their study of colonial cinema in Africa. Yet the vastness of the continent, the number of European powers involved and irregular record keeping has made uncovering the connections between imagery, imperialism and indigenous peoples difficult. This volume takes up the challenge, tracing production and exhibition patterns to show how motion pictures were introduced on the continent during the “Scramble for Africa” and the subsequent era of consolidation. The author describes how early actualities, expeditionary footage, ethnographic documentaries and missionary films were made in the African interior and examines the rise of mass black spectatorship. While Africans in the first two decades of the 20th century were sidelined as cinema consumers because of colonial restrictions, social and political changes in the subsequent interwar period—wrought by large-scale mining in southern Africa—led to a rethinking of colonial film policy by missionaries, mining concerns and colonial officials. By World War II, cinema had come to black Africa.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In recent decades historians and film scholars have intensified their study of colonial cinema in Africa. Yet the vastness of the continent, the number of European powers involved and irregular record keeping has made uncovering the connections between imagery, imperialism and indigenous peoples difficult. This volume takes up the challenge, tracing production and exhibition patterns to show how motion pictures were introduced on the continent during the “Scramble for Africa” and the subsequent era of consolidation. The author describes how early actualities, expeditionary footage, ethnographic documentaries and missionary films were made in the African interior and examines the rise of mass black spectatorship. While Africans in the first two decades of the 20th century were sidelined as cinema consumers because of colonial restrictions, social and political changes in the subsequent interwar period—wrought by large-scale mining in southern Africa—led to a rethinking of colonial film policy by missionaries, mining concerns and colonial officials. By World War II, cinema had come to black Africa.

More books from McFarland & Company, Inc., Publishers

Cover of the book Gay Icons by Glenn Reynolds
Cover of the book The Klondike Stampede by Glenn Reynolds
Cover of the book The Espionage Filmography by Glenn Reynolds
Cover of the book The Law for Comic Book Creators by Glenn Reynolds
Cover of the book The Creation of American Law by Glenn Reynolds
Cover of the book The Yanks Are Coming Over There by Glenn Reynolds
Cover of the book Peddling Bicycles to America by Glenn Reynolds
Cover of the book A Confederate in Congress by Glenn Reynolds
Cover of the book Melungeon Portraits by Glenn Reynolds
Cover of the book Drawn from the Classics by Glenn Reynolds
Cover of the book Privatization in Practice by Glenn Reynolds
Cover of the book The White House by Glenn Reynolds
Cover of the book Brun Campbell by Glenn Reynolds
Cover of the book Conan Meets the Academy by Glenn Reynolds
Cover of the book Speculative Freemasonry and the Enlightenment by Glenn Reynolds
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy