Commemorating Gallipoli through Music

Remembering and Forgetting

Nonfiction, Entertainment, Music, Music Styles, Military & Marches, Theory & Criticism, History & Criticism, History, Military, World War I
Cover of the book Commemorating Gallipoli through Music by John Morgan O'Connell, Lexington Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: John Morgan O'Connell ISBN: 9781498556217
Publisher: Lexington Books Publication: December 1, 2017
Imprint: Lexington Books Language: English
Author: John Morgan O'Connell
ISBN: 9781498556217
Publisher: Lexington Books
Publication: December 1, 2017
Imprint: Lexington Books
Language: English

This monograph examines the relationship between music and memory as it relates to the Gallipoli Campaign (1915-6). Drawing upon a wide variety of sources in many languages, it explores the multiple ways in which music is employed to remember and to forget, to celebrate and to commemorate a victory (on the part of the Central Powers) and a defeat (on the part of the Allied forces) in the Dardanelles during the First World War (1914-8). Further, it argues that commemoration itself can be viewed as an ‘instrument of war’. In particular, it investigates the complex positionality of individual actors during the centennial commemorations of the Gallipoli landings (24 April, 2015) where the Australians and the Turks most notably have employed music to reimagine the past, both nationalities invoking the ‘Gallipoli spirit’ (tr. ‘Çanakkale ruhu’) to advance a nationalist agenda and a resurgent militarism through the selective memorialization of an imperial past.

The book interrogates through music the ambivalent position of minorities. With specific reference to the Irish (amongst the British) and the Armenians (amongst the Ottomans), it shows how song might serve both to articulate a nationalist defiance and an imperialist consensus during a tumultuous period of irredentism. By uncovering the complex pathways of musical transmission, it demonstrates through musical analysis how the colonized could become the colonizer (in the case of the Irish) or a minority might conform to a majority (in the case of the Armenians). Further, the publication looks at the uneasy alliance between the Turks and the Germans. It focuses on a German musician (as an imperial bandmaster) and Germanic entrepreneurs (in the recording industry) who entertained or who served the German Mission in Istanbul. Here, it considers by way of musical composition the shared wish on the part of the Germans and the Turks to create a Lebensraum in Asia.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This monograph examines the relationship between music and memory as it relates to the Gallipoli Campaign (1915-6). Drawing upon a wide variety of sources in many languages, it explores the multiple ways in which music is employed to remember and to forget, to celebrate and to commemorate a victory (on the part of the Central Powers) and a defeat (on the part of the Allied forces) in the Dardanelles during the First World War (1914-8). Further, it argues that commemoration itself can be viewed as an ‘instrument of war’. In particular, it investigates the complex positionality of individual actors during the centennial commemorations of the Gallipoli landings (24 April, 2015) where the Australians and the Turks most notably have employed music to reimagine the past, both nationalities invoking the ‘Gallipoli spirit’ (tr. ‘Çanakkale ruhu’) to advance a nationalist agenda and a resurgent militarism through the selective memorialization of an imperial past.

The book interrogates through music the ambivalent position of minorities. With specific reference to the Irish (amongst the British) and the Armenians (amongst the Ottomans), it shows how song might serve both to articulate a nationalist defiance and an imperialist consensus during a tumultuous period of irredentism. By uncovering the complex pathways of musical transmission, it demonstrates through musical analysis how the colonized could become the colonizer (in the case of the Irish) or a minority might conform to a majority (in the case of the Armenians). Further, the publication looks at the uneasy alliance between the Turks and the Germans. It focuses on a German musician (as an imperial bandmaster) and Germanic entrepreneurs (in the recording industry) who entertained or who served the German Mission in Istanbul. Here, it considers by way of musical composition the shared wish on the part of the Germans and the Turks to create a Lebensraum in Asia.

More books from Lexington Books

Cover of the book The Man Who Knew God by John Morgan O'Connell
Cover of the book Pimping the Welfare System by John Morgan O'Connell
Cover of the book The Seen, the Unseen, and the Unrealized by John Morgan O'Connell
Cover of the book The Roads to Congress 2008 by John Morgan O'Connell
Cover of the book Invitational Education and Practice in Higher Education by John Morgan O'Connell
Cover of the book The Media Environment of Political Thought by John Morgan O'Connell
Cover of the book Professing Feminism by John Morgan O'Connell
Cover of the book A Handbook of Military Conscription and Composition the World Over by John Morgan O'Connell
Cover of the book Koreans in North America by John Morgan O'Connell
Cover of the book Conjugal Love and Procreation by John Morgan O'Connell
Cover of the book The Gender Vendors by John Morgan O'Connell
Cover of the book The Failure of China's Democratic Reforms by John Morgan O'Connell
Cover of the book Narrating Midlife by John Morgan O'Connell
Cover of the book African Women Under Fire by John Morgan O'Connell
Cover of the book Keeping Up the Kardashian Brand by John Morgan O'Connell
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy