Committing the Future to Memory

History, Experience, Trauma

Nonfiction, History, Reference, Historiography, Religion & Spirituality, Philosophy, Political
Cover of the book Committing the Future to Memory by Sarah Clift, Fordham University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Sarah Clift ISBN: 9780823254224
Publisher: Fordham University Press Publication: November 11, 2013
Imprint: Modern Language Initiative Language: English
Author: Sarah Clift
ISBN: 9780823254224
Publisher: Fordham University Press
Publication: November 11, 2013
Imprint: Modern Language Initiative
Language: English

Whereas historical determinacy conceives the past as a complex and unstable network of causalities, this book asks how history can be related to a more radical future. To pose that question, it does not reject determinacy outright but rather seeks to explore how it works. In examining what it means to be “determined” by history, it also asks what kind of openings there might be in our encounters with history for interruptions, re-readings, and re-writings.

Engaging texts spanning multiple genres and several centuries—from John Locke to Maurice Blanchot, from Hegel to Benjamin—Clift looks at experiences of time that exceed the historical narration of experiences said to have occurred in time. She focuses on the co-existence of multiple temporalities and opens up the quintessentially modern notion of historical succession to other possibilities. The alternatives she draws out include the mediations of language and narration, temporal leaps, oscillations and blockages, and the role played by contingency in representation. She argues that such alternatives compel us to reassess the ways we understand history and identity in a traumatic, or indeed in a post-traumatic, age.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Whereas historical determinacy conceives the past as a complex and unstable network of causalities, this book asks how history can be related to a more radical future. To pose that question, it does not reject determinacy outright but rather seeks to explore how it works. In examining what it means to be “determined” by history, it also asks what kind of openings there might be in our encounters with history for interruptions, re-readings, and re-writings.

Engaging texts spanning multiple genres and several centuries—from John Locke to Maurice Blanchot, from Hegel to Benjamin—Clift looks at experiences of time that exceed the historical narration of experiences said to have occurred in time. She focuses on the co-existence of multiple temporalities and opens up the quintessentially modern notion of historical succession to other possibilities. The alternatives she draws out include the mediations of language and narration, temporal leaps, oscillations and blockages, and the role played by contingency in representation. She argues that such alternatives compel us to reassess the ways we understand history and identity in a traumatic, or indeed in a post-traumatic, age.

More books from Fordham University Press

Cover of the book Crossing the Rubicon by Sarah Clift
Cover of the book Members of His Body by Sarah Clift
Cover of the book The Decolonial Abyss by Sarah Clift
Cover of the book Nietzsche and the Becoming of Life by Sarah Clift
Cover of the book Chasing Ghosts by Sarah Clift
Cover of the book Rethinking God as Gift by Sarah Clift
Cover of the book Orthodox Christianity and Nationalism in Nineteenth-Century Southeastern Europe by Sarah Clift
Cover of the book Literature and the Remains of the Death Penalty by Sarah Clift
Cover of the book A Reformation Debate by Sarah Clift
Cover of the book Writing of the Formless by Sarah Clift
Cover of the book The Pleasures of Memory by Sarah Clift
Cover of the book Lyric Apocalypse by Sarah Clift
Cover of the book Negative Ecstasies by Sarah Clift
Cover of the book Georges de La Tour and the Enigma of the Visible by Sarah Clift
Cover of the book Medieval Education by Sarah Clift
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy