Consumerism, Waste, and Re-Use in Twentieth-Century Fiction

Legacies of the Avant-Garde

Fiction & Literature, Literary Theory & Criticism
Cover of the book Consumerism, Waste, and Re-Use in Twentieth-Century Fiction by Rachele Dini, Palgrave Macmillan US
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Author: Rachele Dini ISBN: 9781137581655
Publisher: Palgrave Macmillan US Publication: October 21, 2016
Imprint: Palgrave Macmillan Language: English
Author: Rachele Dini
ISBN: 9781137581655
Publisher: Palgrave Macmillan US
Publication: October 21, 2016
Imprint: Palgrave Macmillan
Language: English

This book examines manufactured waste and remaindered humans in literary critiques of capitalism by twentieth-century writers associated with the historical avant-garde and their descendants. Building on recent work in new materialism and waste studies, Rachele Dini reads waste as a process or phase amenable to interruption. From an initial exploration of waste and re-use in three Surrealist texts by Giorgio de Chirico, André Breton, and Mina Loy, Dinitraces the conceptualization of waste in the writing of Samuel Beckett, Donald Barthelme, J.G. Ballard, William Gaddis, and Don DeLillo. In exploring the relationship between waste, capitalism, and literary experimentation, this book shows that the legacy of the historical avant-garde is bound up with an enduring faith in the radical potential of waste. The first study to focus specifically on waste in the twentieth-century imagination, this is a valuable contribution to the expanding field of waste studies.

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This book examines manufactured waste and remaindered humans in literary critiques of capitalism by twentieth-century writers associated with the historical avant-garde and their descendants. Building on recent work in new materialism and waste studies, Rachele Dini reads waste as a process or phase amenable to interruption. From an initial exploration of waste and re-use in three Surrealist texts by Giorgio de Chirico, André Breton, and Mina Loy, Dinitraces the conceptualization of waste in the writing of Samuel Beckett, Donald Barthelme, J.G. Ballard, William Gaddis, and Don DeLillo. In exploring the relationship between waste, capitalism, and literary experimentation, this book shows that the legacy of the historical avant-garde is bound up with an enduring faith in the radical potential of waste. The first study to focus specifically on waste in the twentieth-century imagination, this is a valuable contribution to the expanding field of waste studies.

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